VIEW IN MY ROOM
Italy
Painting, Mixed Media on Other
Size: 39.4 W x 31.5 H x 0.8 D in
VENDUTO-SOLD The deepest black enlightened by stripes of ripped, chaotic white
Painting:Mixed Media on Other
Original:One-of-a-kind Artwork
Size:39.4 W x 31.5 H x 0.8 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Nuova tela sul sito 22-07-2021 _____________________________________ È possibile consultare le novità su https://www.fibart-fiammabartolomei.com/ 22-05-2021 _____________________________________ It is to see the canvases and the news on the website May 22nd 2021 _____________________________________ Le tele fibart sono frutto di una sperimentazione e di uno studio che ha le sue radici nei primi Movimenti artistici del Novecento, ( tra i quali: Cubismo, l'Astrattismo di Kandinsk, il De Stijl con il rigorismo logico di Mondrian). Negli anni la passione dell'autrice per la pittura si è sintetizzata con quella per il Design e per l'Architettura contemporanea, per cui le ultime tele sono diventate dei veri 'progetti', parlano di Design,di Architettura, utilizzando il loro codice iconico e simbolico, parlano dell'Universo che ci sovrasta,con continui riferimenti a sistemi infiniti , in espansione, si materializzano attraverso la materia pittorica e arrivano al nostro inconscio attraverso il mondo virtuale della geometria. _________________________________________ Fiamma Bartolomei was born in 1982, has been a Design student at the faculty of Architecture at Florence University, she devoted herself to ABSTRACT PAINTING, at the age of 20, when thanks to her studies, she was able to study in depth some art movements of the 20°century for which she had a deep interest ( Cubism, Kandinsky Abstract art, the De Stijl with Mondrian logic precision ). The first paintings had the requirement to disjoint the geometrical and already known existing, creating a contrst system and returns among forms, lines and colours, the aim was to dissuede the observer from the painting as it is itself, through circular movements, or by three-dimensional nets, in order to be able to watch from its inner part a geometrical world that through its key lines is able to break the three-dimension itself of pictorial support. The following period has been a time in which the painter has wanted to experience through Geometry a sort of minimal art,made by just key lines, highlighting how few lines can show a construction that extends itself endlessly like a route through a tunnel and introducing incomplete figures, that, as Psychology teaches us our brain is able tobuild.
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