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Ma Liang and the Magic Paintbrush Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 84 W x 63 H x 2.5 D in

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About The Artwork

Once upon a time, there was a young man called Ma Liang. He was poor and kind and liked drawing so much that he drew pictures everywhere. One night, he dreamed that an old man gave him a magic paintbrush and asked him to use it to help poor people. When he woke up, he found the magic paintbrush on his desk. From that day on, he used the paintbrush whenever poor people needed help. When he saw that people had no water to use in the fields, he drew a river and the river came to life. People could bring water from the river to the field to help their crops grow. When he saw the hard working farmers struggling to feed their families, he drew more food for them to eat. Soon, many people knew about the magic paintbrush and were very grateful to Ma Liang. But in the village, there lived a rich man who was mean and decided to steal the paintbrush from the young man so that he could use it to become even richer. So he sent his servants to Ma Liang's home to steal the magic paintbrush. Once he had the paintbrush, he felt very happy and he invited his friends to come to his home so that he could show them his new possession. He drew a lot of pictures, but none of them would come to life for him. He was very angry that the paintbrush would not work for him so he sent for Ma Liang. He said to the young man, "If you draw some pictures for me and bring them to life, I will set you free." Ma Liang did not want to help such a bad man, but he had an idea. He said to the bad man, "What would you like me to draw?" The rich man said, "I want a golden mountain. I will go there to gather gold." But the young man drew a sea first. The rich man was angry and said," Why did you draw a sea? I want a golden mountain. Draw it quickly!" So the young man drew a golden mountain which was far away from the sea. The rich man said, "Draw a big ship quickly. I want to go there to gather gold." The young man smiled quietly and drew a big ship. The rich man jumped into the ship and set off to find the gold but when the ship sailed to the middle of the sea, Ma Liang drew a large wave which destroyed the ship and the rich man was never seen in the village again. After that, the young man lived with his family happily and used the magic paintbrush to help the poor people as the old man had asked him to do and the magic paintbrush was known and loved by everyone. Source: worldstories.org.uk The Magic Brush is a Chinese animated stop-motion film produced by the Shanghai Animation Film Studio. There were two versions of the film. In 1954 the first film was called "Ma Liang and his Magic Brush" (Chinese: 神筆馬良). In 1955 the second film was called "Magic Brush" (Chinese: 神筆). They are also interchangeably referred to as the "Magic Pen" or "Magical Pen”. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:84 W x 63 H x 2.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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