VIEW IN MY ROOM
About The Artwork
So much of my work in the last few years has focused on the family unit, and how it stands as a symbol for the trials with which the rest of society must contend. The borders of my canvases, or drawings, hem in the characters, into a sort of vortex like action. A staging where things are both consumed, subsumed, regurgitated as it were, but never allowed to escape. Like A Shakespearean tragedy we all have a part to play. Along the way we are confronted by our fears, symbols, and superstitions. These two are the elements which prevent our escape. To read more, and see more works, please copy and paste my blog site in your address window; http://fatalismpaintingmovement.blogspot.com/ The original of this work is done in mixed media. Mostly gouache.
Original Created:2014
Subjects:Mortality
Materials:Paper
Styles:SurrealismExpressionism
Mediums:gouacheinkwatercolorpencil
Details & Dimensions
Painting:gouache on Paper
Original:One-of-a-kind Artwork
Size:5 W x 7 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.
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