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Krishna and the embrace of Time (Timism I) Painting

Siddharth Katragadda

United States

Painting, Acrylic on Canvas

Size: 19 W x 33 H x 0.1 D in

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About The Artwork

The central figure in this painting is obviously Krishna, symbolized by his blue skin, a peacock feather in his hair, and playing the eternal flute. Around him are three women embracing him, symbolizing the embrace of time itself. Symbolizing the embrace of time itself, showing how women evolved in their love for Krishna. On the top left is probably Radha, symbolizing true deep love. To the right center is the head of a woman, her tongue written over with words from the Gita, symbolizing devotion. And finally at the bottom, inverted, is the modern atheist woman, for whom Krishna has little value other than being a convenient crutch. This transition of the female form itself is symbolic of the passage of time, and how our values have changed - from the lover to the worshiper to the callous. The three women also depict the fall from grandeur: Radha is shown glittering in gold; the worshiper is simply dressed; and the modern disbeliever is not wearing anything at all. We see a tear in Radha’s eye as she mourns Krishna’s fall from grandeur. We also see artery-like patterns on Krishna, symbolizing the veins of time itself in the eternal cosmic travel of space and time. All around we see hands reaching out to him, showing the adoration we still have for him, even after thousands of years. This is not just a decorative piece. It’s unique because it’s like unraveling a mystery, a jigsaw puzzle. I generally like my audience to solve a puzzle than look at art as a decoration, where everything is obvious at first look. In that sense, it’s an innovation in Indian art, a new style, a new paradigm.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:19 W x 33 H x 0.1 D in

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Siddharth Katragadda is an Indian-American Artist who has been painting since he was around five. He started exhibiting and selling his art only in 2008. From 2008 to 2015, he was very prolific, selling nearly 50 of his Abstract “Dark Indian Women” series paintings to private collectors across the world. In 2010, his work was acquired by famous filmmaker Mani Ratnam. He took a break from painting in 2015, to focus on films and writing, before returning to art in 2022, when he painted a series of 12 Western paintings in what he calls Holeism style, based on various humanitarian issues, including abortion, race, war, violence against women, climate change, guns and border issues. He also returned to his abstract Indian women, creating the first of his Timism style paintings. As an artist, he believes that an artist's primary objective should be to capture a culture – and that a culture can be best understood through its women. He aims to develop his own styles of painting that progress art in new directions. His experiments are seen in all his paintings. He says, "my art has three sides - the three Ss: Story, Social Impact and Shift (Innovation). My work is not strictly meant to decorate walls, but to decorate minds, each with a story - a message for social change. A hundred years from now, I want my art to be a time capsule of society as it exists today. I also place a high value on innovation; as Picasso said, every painting series has to move art in a new direction... never repeat yourself or others. I am proudly the founder of the "Holeism", “Timism,” "Soulism," “Classicism” and "Feminism" art styles, which I hope to popularize." Sid's paintings have been exhibited and collected worldwide. He has sold over a 100 paintings in a career spanning from 2008 to present, with collectors in India, Dubai, Australia, Singapore, and America.

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