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Norway
Painting, Acrylic on Fabric Stretched Over A Wooden Framing
Size: 53.1 W x 33.9 H x 1.6 D in
Ships in a Crate
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This is an acrylic painting, mounted on a wooden frame. When finished, the painting was removed from its support and "glued" to the fabric, using non-pigmented acrylic medium. The colours in the picture are close to the originals colours.
Original Created:2017
Subjects:Classical mythology
Materials:Fabric Stretched Over A Wooden Framing
Styles:Abstract
Mediums:Acrylic
Painting:Acrylic on Fabric Stretched Over A Wooden Framing
Original:One-of-a-kind Artwork
Size:53.1 W x 33.9 H x 1.6 D in
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Norway.
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Brynjulf Jensvoll is a self-taught painter and sculptor since 14 years old. Eighteen years old he is working as a fisherman in northern Norway, and aged 22 he is leaving aside the arts to run his own vessel, At 29 years he returns to the artistic practise, and gets a 50 % position teaching arts. (From 2002-2010, secondary school.) He participates in a few collectives and has a major solo exhibition in Galleri Nordnorge before moving to Oslo in 2011. From 2017 he has been a full-time artist, living in Stokke, Sandefjord. 2025: July 31 - septemnber 6.: Solo exhibition, Senja Kunstforening 2023-24: November 30 - january 13.: Senjautstillinga, regional juried exhibition. August, 15. to november, 19: Sørlandsutstillingen. Juried exhibition covering the southern region of Norway. October: Solo exhibition, Harstad Kunstforening. Brynjulf is working in acrylic, oil and sculpture. His first interest was portraiture and drawing-based painting. Now his work shows a rare materiality due to inventive techniques. The striking textural qualities appeal to the tactile senses, and many viewers have felt the urge to touch, in wonder. The experimental approach is, according to himself, a quest to get closer to the matter. As he puts it: In my work, the matter is the one thing that matters. No matter the subject, I strive to get at the heart of the matter.
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