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Inside studio during photo shoot.
View of work leaning resting on outside wall of Jay Worth Allen's studio in midday sun.
View of 2 paintings [this work, "Diana Dreams of Flying" and "Lannie's Sax"] resting on outside wall of the artist's studio on a bright sunny day.
Sitting area inside the artist’s studio.  In the top right, we have a half-view of “God Created The Heavens And The Earth” —of one of the artist’s many three-dimensional works—and, one of the larger works in the artist’s private collection at just over seven feet in length [84 7/8” x 51” x 9”].
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Diana Dreams of Flying Painting

Jay Worth Allen

United States

Painting, Acrylic on Canvas

Size: 53.5 W x 40.7 H x 1.8 D in

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About The Artwork

"Diana Dreams of Flying," 2013. Acrylic on canvas. 40.6" H x 53.5" W (103.2 x 135.9 cm) / Organic Realism "Diana Dreams of Flying" is a very important work by Jay Worth Allen (as well as a personal favorite of the artist). Inspired from a dream by the artist's wife, Jay Worth Allen created this work personifying innocence basking in peace and complete freedom as portrayed in the act of flying, unclothed, through the midnight sky. The stark contrast of the nude's light skin against the black dark sky emphasizes the vulnerability of the flyer. Yet, the flowing golden hair atop the faceless figure's prone position (flying away from the canvas, carefree, amidst the occasional wisp of clouds) portrays a transcendent peace and security--an inner calmness existing only in uncompromised confidence that someone is keeping watch. To accomplish this, Jay Worth Allen combined black, yellow, and flesh color pigment in an acrylic base, executing a fresco-esque technique combining pigment and gesso to emphasize the illusion of flowing hair in three-dimensional space on two-dimentional surface. The fiddle f-holes reiterate Man Ray's homage to painter Jean Auguste Dominique Ingres' 1808 ("La Grande Baigneuse"), whose exceptional ability to play the violin gave rise to the French colloquialism, 'violon d'Ingres' or Ingres' violin (a phrase that has degraded over time to imply "a hobby"). Man Ray's 1924 "Ingres' Violin" clearly plays on this theme--mimicking Ingres' female nude, whose subject is a stationary female nude, adorned with a turban, loosely draped fabric around her lower torso, her face slightly turned towards the viewer, and Ray's infamous f-holes painstakingly painted on her "armless" back in the general location of a violin's f-holes, -- accentuating the metaphor of the female body with that of a violin. In "Diana Dreams of Flying," we are given an unconscious glimpse into an internal yearning for the "truth" to come to light -- that Jay Worth Allen is not merely a master artist, but a master musician, as well. During his first year at The Academy, Jay Worth Allen was "informed" by one of his first year instructors, that "[Jay] ha[d] two witches" (referring to the two God-given abilities), and that "[he] must choose one or the other" -- an impossible task for one genuinely endowed with genius in both forms of expression. Thus, while Man Ray's imagery may maintain a tension between objectification and appreciation of the female form (poking fun at the 19th century Ingres), Jay Worth Allen's use of the f-holes, painted into the back of his fully-limbed, golden hair flowing, carefree, flying wife, implies a harmony, a perfect balance of the artist's two muses within: Art and Music. This is the first showing and offering of "Diana Dreams of Flying." Given the personal significance of this work (and the fact that it is a nude), this work has never been publicly exhibited, nor offered -- until now. Please visit the Jay Worth Allen's profile for more information, and to view other works currently being offered through Saatchi Art. We appreciate and encourage any comments. Thank you. Regarding shipping: This work will be shipped in accordance to Saatchi Art's shipping guidelines (removed from its stretcher, rolled and shipped in a professional mailing tube). Otherwise, please contact the artist to discuss other shipping methods (which may possibly incur additional shipping costs).

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:53.5 W x 40.7 H x 1.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

— Artist Statement — I was born. When I was about 6, I started drawing. Later, I started painting. That's still what I'm doing. What I know, I put into my work. I am interested in visible or tangible things that ARE, rather than Opinion. In my work, there are pre-formed, conventional, depersonalized, factual elements — impartial objects. I am concerned with the wholeness of a thing remaining within the boundaries of knowledge. It is within this boundary that I strive to conceal and reveal known objects at the same time. We have an existing language of words, signs, symbols, shapes, formulas, treatises, poems and the like — whole bodies of belief and knowledge that can, presumably, describe and penetrate anything and everything. Yet, I am forced to recognize that the system which enables me to form a piece of art and to think coherently cannot define how I uniquely think or feel, or even how I picture myself and everything outside myself. The plane of my work has always been real things — REAL MOMENTS RESTING IN TIME, where the ideational and perceptual worlds intersect to form image, idea, icon, and space, and — where I, and therefore the viewer, is projected through to another reality. Technique is inextricably tied to the content of my work. By working in all mediums, I work with numerous techniques. As a painter, acrylic is my medium of choice. My 3D & sculptural materials range from chicken wire to wood to concrete blocks to whatever material I find in my field of sight. The methods I use in printmaking (woodblock, silkscreen, blueprints, lithographs) all combine multiple processes. For me there is no hierarchy among these mediums and techniques; yet, drawing is the foundation for all my work. It’s is the way I speak the best, the clearest. — Brief Bio — On March 6 (the anniversary of Michelangelo’s birthday), J. Worth Allen (“Jay”) was born in Daylight, Tennessee. He grew up in Austin. Studied in Memphis, London, Oxford, New York, Los Angeles—. Has exhibited in New York, Texas, California, London, Edinburgh, France, and beyond. At 16, he was accepted into the top 3 art schools in the nation, each, with full scholarships: Pratt Institute/Fine Art, The Art Institute of Chicago and The Art Academy in Memphis, which won out (via a cartographical nudge from his dad).

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