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As with, " The stoker ", both of which, I believe, had been painted around the same time. The feeling here was a whimsical, sort of fluidity, which pervades the piece. But, this is actually the place where I began incorporating some of the elements which took over my later, " Fatalism ", period. As one is able to tell, the bull is actually endowed with female genitalia, and there is that gaping mouth, I use so often. Only here, it seems still somewhat more genteel and subdued. It takes on a whole different connotation in later pieces. Again, this is brushed ink, with watercolor, and gouache overlays, consisting of washes, as well as opaque areas. The original is beautifully framed behind glass, and ready to hang.You are once more welcome to visit my blog site to read more. Copy and paste the url below into your address bar; http://fatalismpaintingmovement.blogspot.com/
As with, " The stoker ", both of which, I believe, had been painted around the same time. The feeling here was a whimsical, sort of fluidity, which pervades the piece. But, this is actually the place where I began incorporating some of the elements which took over my later, " Fatalism ", period. As one is able to tell, the bull is actually endowed with female genitalia, and there is that gaping mouth, I use so often. Only here, it seems still somewhat more genteel and subdued. It takes on a whole different connotation in later pieces. Again, this is brushed ink, with watercolor, and gouache overlays, consisting of washes, as well as opaque areas. The original is beautifully framed behind glass, and ready to hang.You are once more welcome to visit my blog site to read more. Copy and paste the url below into your address bar; http://fatalismpaintingmovement.blogspot.com/
As with, " The stoker ", both of which, I believe, had been painted around the same time. The feeling here was a whimsical, sort of fluidity, which pervades the piece. But, this is actually the place where I began incorporating some of the elements which took over my later, " Fatalism ", period. As one is able to tell, the bull is actually endowed with female genitalia, and there is that gaping mouth, I use so often. Only here, it seems still somewhat more genteel and subdued. It takes on a whole different connotation in later pieces. Again, this is brushed ink, with watercolor, and gouache overlays, consisting of washes, as well as opaque areas. The original is beautifully framed behind glass, and ready to hang.You are once more welcome to visit my blog site to read more. Copy and paste the url below into your address bar; http://fatalismpaintingmovement.blogspot.com/
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Dance of the bull Painting

De Yos

United States

Painting, Gouache on Paper

Size: 10 W x 13 H x 1 D in

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$444

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About The Artwork

As with, " The stoker ", both of which, I believe, had been painted around the same time. The feeling here was a whimsical, sort of fluidity, which pervades the piece. But, this is actually the place where I began incorporating some of the elements which took over my later, " Fatalism ", period. As one is able to tell, the bull is actually endowed with female genitalia, and there is that gaping mouth, I use so often. Only here, it seems still somewhat more genteel and subdued. It takes on a whole different connotation in later pieces. Again, this is brushed ink, with watercolor, and gouache overlays, consisting of washes, as well as opaque areas. The original is beautifully framed behind glass, and ready to hang.You are once more welcome to visit my blog site to read more. Copy and paste the url below into your address bar; http://fatalismpaintingmovement.blogspot.com/

Details & Dimensions

Painting:Gouache on Paper

Original:One-of-a-kind Artwork

Size:10 W x 13 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.

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