VIEW IN MY ROOM
Germany
Painting, Oil on Canvas
Size: 15.7 W x 19.7 H x 0.4 D in
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The painting lives on its tension-fraught contrasts. The almost abstract, colourful, patterned expanse of the curtain on the right as against the monochrome depth on the left. The coldness of the blue hues as against the warm rosecoloured areas. And even the woman in the centre, seemingly the connecting link, is torn, as she signalles reticence by partly hiding away behind the curtain and directing her curious gaze at the same time openly at outward occurences unknown to the beholder. Thus, this work is underpinned by a gripping psychological narrative. The technique used is the sophisticated one the old masters already appreciated: an elaborate egg-tempera underpainting is perfected by glazes in resin-based oil paints. This layer technique ensures uniquely vibrant colours and extreme durability.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:15.7 W x 19.7 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Eva Genoveva has been a full-time freelance painter since 2010. She lives and works in Munich, Bavaria. Her works are part of numerous private collections in Germany, Liechtenstein and the U.S. and have been publicly exhibited by various institutions, e.g. the Rouka Gallery, the Bavarian state bank and the Bavarian Department of the environment. Her intense studies of the technical aspects of painting resulted in a rather clocked creative process ensuring her works a strong inner light as well as an extraordinary longevity. She confines herself to using solely basic raw materials instead of ready-made products in order to remain in control of the entire origination process. Her approach is an aesthetical as well as analytical one. Overly emphasized compositional lines, queer colors, artificial illumination with strong shadows and backgrounds dissolving into stereometric forms ensure a well-arranged, idealized pictorial impact reminding of the Thirties` Precisionist movement. Focal point of her paintings is a subject that is often out of balance and rendered with the greatest possible psychological truthfulness. As regards her topics she has her eye foremost on the private, emotional, solitary and libidinal in the female experience realm, the reality behind masks, rebellion vs. submission, ubiquitous transcience and the abortive attempt to fight it.
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