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In the dark- bright glow from strontium aluminate and subtle under-layer glow from zinc oxide
The painting has a nice wood frame
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Billy Bob Painting

Michele Burns

United States

Painting, Acrylic on Canvas

Size: 16 W x 20 H x 0.8 D in

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$390

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About The Artwork

Billy Bob 16 x 20” This piece began with a shimmering metallic bronze background, then a layer of raised, organic vertical lines dusted with one type of green subtly glowing mineral- zinc oxide. Then it has a different adhesive for the next layer, dusted with glitter and a more powerful phosphorescent green mineral- strontium aluminate. The finished work glitters and by day and the nightlight composition has depth due to the differing luminance. The painting is a functioning nightlight. The strontium aluminate glows 10 hours from exposure to any visible light, while the zinc glow fades out more quickly.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:16 W x 20 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The driving force of my art is curiosity. Each piece begins with the question “What if?” What if I use these colors, textures, materials, techniques, or objects together? Each work is a surprise package I get to slowly open. I study art, and in my head I divide the field between decorative art that people want in their homes, which is great, and “arty” art that is innovative, original, and sometimes gallery-worthy. I often fail but generally aim for the elusive territory between the two- attempting to create things pleasing to the eye that people might want to live with, while pushing out boundaries for both everyday and more sophisticated art lovers. A unique recurring feature of most of my work is the inclusion of photoluminescent strontium aluminate doped with rare earths. I make the pigments myself for maximum luminance. The works are thereby two compositions, one by day and a second, rather magical composition that appears at night. I employ super-bright child-safe minerals that shed light for 10 to 20 hours after exposure to any visible light, and that continue to be “re-excitable” for decades. I do not have a single style because my relentless curiosity leads me in many directions as I constantly explore new materials, tools, techniques, and “What if?” questions.

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