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United States
Painting, Oil on Canvas
Size: 48 W x 60 H x 2 D in
Ships in a Crate
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#aPOPcalypse apocalypse noun 1. ( initial capital letter ) revelation(def 4). 2. any of a class of Jewish or Christian writings that appeared from about 200 b.c. to a.d. 350 and wereassumed to make revelations of the ultimate divine purpose. 3. a prophetic revelation, especially concerning a cataclysm in which the forces of good permanently triumph over the forces of evil. Origin of apocalypse 1125-75; Middle English < Late Latin apocalypsis < Greek apokálypsis revelation, equivalent to apokalýp(tein) to uncover, reveal ( apo- apo- + kalýptein to cover, conceal) + -sis -sis (Ancient Greek: ἀποκάλυψις apokálypsis, from ἀπό and καλύπτω, literally meaning "an uncovering") is a disclosure of knowledge or revelation. In religious and occult concepts it is usually a disclosure of something hidden, "a vision of heavenly secrets that can make sense of earthly realities". Historically, the term has a heavy religious connotation as commonly seen in the prophetic revelations of eschatology and were obtained through dreams or spiritual visions. In the biblical book of revelation apocalypse says to be the complete and final destruction of the world. pop verb (used without object), popped, pop·ping. 1. to make a short, quick, explosive sound: The cork popped. 2. to burst open with such a sound, as chestnuts or corn in roasting. 3. to come or go quickly, suddenly, or unexpectedly: pop art noun 1. art based on modern popular culture and the mass media, especially as a critical or ironic comment on traditional fine art values. Pop Art was the art of popular culture. It was the visual art movement that characterized a sense of optimism during the post war consumer boom of the 1950's and 1960's. Pop art favored realism, everyday (even mundane) imagery, and heavy doses of irony and wit. Nasjay Murray Chicago native, freshman year, pre-med student, Bradley University. Shot and killed in, off-campus house party. Dream: To become the family’s first college graduate and doctor. 1. Black communities are disproportionately affected by gun violence. FBI: Black people accounted for 52 percent of murder victims. Three-quarters of murders are by guns. 2. Women in America are 16 times more likely to be shot and killed by a gun than women in other developed countries. 3. Black women experience the highest rates of gun homicide out of any group of women. The rate of gun homicide deaths for black women exceeds that of white men. Centers for Disease Control and Prevention: black women were the group most likely to experience fatal homicides. 4. 96 Americans are shot and killed every day.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:48 W x 60 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I paint stories of the human experience. The soul of life is demonstrated in depictions of figures interacting within a realm of time, realities, and one another. I paint that that is seen and unseen. I depict the beauty that often exists after a tragedy. I express the plane of existence pictorially divided, fragmented, as the energy and emotion around each being and happening. Often this movement is abstract, and often it is literal. I create images from inside myself. I carry them and grow them within me until I paint. Most of my paintings are of women and their realities as they relate to the greater human experience. Since my early life, I have worked in oils and prefer my expressions to be shared in their radiance applied using master techniques. The cause for which I create is my acute foresight and sense of the interconnectedness of all elements and time. What is seen and not seen. Known and not known. Contemporaneous, interacting, and incessantly influencing one another in a continuum of the past, present, and future. The entirety exists concurrently. I render the human relationship with eternity. I convey the human experience; acts, thoughts, sentiments, and situations layered upon all those of the past. Giving that human existence as we experience it is bound to the continuum of time. My vision is the complex language of layering multiple imagery levels representing the complicated content of a consequence, condition, moment, notion, or incident. The dialogue I consign contains all elements past and present, their atmosphere, and the energy collectively interacting. My work foreshadows the continuum of the condition. I paint to deliver a vision that others have not seen.
Artist featured by Saatchi Art in a collection
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