VIEW IN MY ROOM
Germany
Painting, Gouache on Canvas
Size: 19.7 W x 19.7 H x 2.8 D in
Ships in a Crate
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At the beginning of every picture is the experience of a moment, here views of the still closed flowers of wood anemones in the fresh green, surrounded by the fallen leaves of the previous year. After I had finished "Spring Awakening", I started to implement this picture idea. The sketch did not exist before or during the creative process. I have put them in front to illustrate the idea: 4 remembered glances / canvases, each showing a part of the wood anemone in one of their corners, surrounded by old leaves from the previous year. I imagined the fresh, bright green in many shades to be wonderfully bright in the surroundings of the rather dark and brown leaves of the autumn leaves from the previous year. I had already painted wood anemones and their leaves in "Spring wakening", so I started on the 1st of the 4 canvases and filled a corner. To test the color effect with the foliage, I started to paint it. But the leaves became unattractive, they looked dirty. I started again with the wood anemones in a corner of the second canvas and hoped for an idea for a successful foliage design. But it didn't come at the time, so I put both canvases aside. It emerged "Lights Forest", "Measuring Glasses", then "Anticipatory Spring Memories". In the meantime I had read "The mysterious power of colors" (Prof. Dr. Axel Buether). Among other things, he writes about synesthesia. It mainly refers to the Coupling e.g. two modalities of perception. For ynaesthesiologists, letters printed in black are colored (see Wikipedia). I'm not a synaesthetic, but I liked the idea of seeing unattractive-looking last year's leaves in color. Already with "Anticipatory Spring Memories" I decided to paint the tree trunks in green and blue instead of brown or gray-brown. The color contrast to the orange foliage on the ground has been increased and the blue trunks look tall, elegant, light. In the picture idea that is now being worked on, the old leaves from the previous year should experience a more colorful autumnal design on the ground. With the thought the yellow autumn leaves of linden trees, red leaves of wine and orange leaves of maple came to mind. But why limit yourself to these colors for the respective leaf area? Leaf veins and margins could be "synathetic" in different colors and receive more contrasting interpretations in their respective colors. Pulling out the two canvases that had been left for months, I designed leaf veins and leaf borders with more color, that fit.
Painting:Gouache on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 19.7 H x 2.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Moments: My painting is about memories of things I have experienced. The interpretation of several glances at a situation reflects a period: the moment. Duties determine our everyday life. It takes time to deal with these. There is no time to lose. This leads to life speeding up. It is difficult to step away from this. Still, some situations make us pause. Situations that surprise us, that are sudden or unexpected or that might be created, like pouring a cup of tea. These moments last longer than just a moment. Impressions of experiences are often composed of several views. This takes time. The memory of these moments is the subject of my painting. Sometimes, for example, we might look at a certain detail. More glances during these moments might lead to memories of one aspect or another. These recollected glances reflect a longer period than every individual glance. In my paintings the simultaneous depiction of several recollected glances of one moment reflect the interpretation of the memory of a longer period. In this way I condense experience. The memory and the associated choice and interpretation of several glances lead to occultation, overlapping and stringing together of these and in this way the formerly strict sequence becomes varied. During a period in which glances and the associated impressions are joined, the respective situation changes constantly. People in front of us move, we are in motion. Interpreting the observation from different positions includes temporal changes: on the one hand in our own position of observation which has changed over course of time; on the other hand in the temporal change of the situation which occurs in front of our own eyes; and, thirdly in the differing clarity of our memory of each observation. All these aspects integrate the observer of the painting into the experience of such situations and they do not just leave him in front of the image. As in most paintings the other temporal aspect lies in the way the brush leaves traces of paint over the canvas. Perception Areas These moments representing collages of glances show perception areas and areas of memories as well as their boundaries, all merging, and the gaps in between and around. All points put an emphasis on each memory of single glances and they are design elements prompted by the moments which gave shape to the image.
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