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'And all of the madness has got you going crazy' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 60 H x 1.5 D in

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About The Artwork

When it feels like the world is on your shoulders And all of the madness has got you going crazy It's time to get out step out into the street Where all of the action is right there at your feet Well I know a place where we can dance all night away Underneath electric stars Just come with me and we can shake your blues right away You'll be doing fine when the music starts To the beat of the rhythm of the night Dance until the morning light Forget about the worries on your mind You can leave them all behind To the beat of the rhythm of the night Oh the rhythm of the night, oh yeah Look out on the street now the party's just beginning The music's playing a celebration's starting Under the street lights the scene is being set A night for romance a night you won't forget So come join the fun this ain't no time to be staying home Oh there's too much going on Tonight is gonna be a night like you've never known We're gonna have a good time the whole night long To the beat of the rhythm of the night Dance until the morning light Forget about the worries on your mind You can leave them all behind To the beat of the rhythm of the night Oh the rhythm of the night oh To the beat of the rhythm of the night To the beat of the rhythm of the night So come join the fun this ain't no time to be staying home Oh there's too much going on Tonight is gonna be a night like you've never known We're gonna have a good time the whole night long To the beat of the rhythm of the night Dance until the morning light Forget about the worries on your mind You can leave them all behind To the beat of the rhythm of the night Dance until the morning light Forget about the worries on your mind To the beat of the rhythm of the night Forget about the worries on your mind To the beat of the rhythm of the night Forget about the worries on your mind To the beat of the rhythm of the night Forget about the worries on your mind ‘Rhythm of the Night’ by DeBarge Songwriter: Diana Eve Warren "Rhythm of the Night" is a single by DeBarge, written by Diane Warren, released on February 23, 1985. It was a single from their fourth studio album, Rhythm of the Night on the Motown label. The song jump-started the career of the prolific Warren, and was the biggest hit recorded by the Motown family singing group, peaking at number three on the Billboard Hot 100, prevented from further chart movement by Madonna's "Crazy for You" and USA for Africa's "We Are the World”. By 1985, DeBarge had become pop/R&B sensations with mostly ballads making the repertoire of their hit catalog though they were as impressive as live performers with their mixture of their trademark soft ballads and a collection of dance material. Motown Records sought to produce DeBarge with a dance single to give them a bigger crossover success that mirrored that of label-mate Lionel Richie, who like DeBarge, had created his initial fan base on soft songs before the release of "All Night Long", which included a catchy dance beat influenced by calypso. A similar influence would come in the production of "Rhythm of the Night" which featured more of El DeBarge's deep tenor with flashes of his trademark falsetto. Richard Perry, the hit producer behind hit recordings for The Pointer Sisters, Harry Nilsson, and Carly Simon, among others, was appointed to produce the single with Diane Warren as its writer. DeBarge was an American musical recording group composed of several members of the DeBarge family. In addition to various solo projects completed by members of the family, DeBarge was active between 1979 and 1989. The group originally consisted of Mark, Randy, Bunny and El. James joined the group a year later for their second album. Bobby and Chico joined in 1987 and 1988 respectively, replacing Bunny and El. DeBarge released six studio albums, four of them with Motown's Gordy Records: The DeBarges (1981), All This Love (1982), In a Special Way (1983), and Rhythm of the Night (1985). The latter became the group's best-selling album and contained the single "Rhythm of the Night", which hit No. 3 on the Billboard Hot 100, making it their highest charting single in the United States. DeBarge entered its decline in 1986, when El and Bunny were offered solo deals with Motown, and DeBarge was released from its contract. The remaining members signed with Stripe Horse Records, an independent label, in 1987, which released their final studio album, Bad Boys. The group continued to perform for an additional two years, with Chico DeBarge joining the group in 1988. A member of the group, Bobby, along with his other brother Chico were arrested for drug trafficking in 1989. Personal problems, legal issues, compounded with the ever changing musical tastes of the public led to the group's dispersion in 1989, 10 years after its inception. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 60 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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