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Australia
Mixed Media, giclee on Paper
Size: 33 W x 24 H x 0.1 D in
Ships in a Tube
This work has its basis firmly placed in thew world of geology and the essence of the critical and spiritual world of Mother Earth. The form and color utilized derived from the world around us clearly, Robert has been influenced by the landscape around his Barossa studio and the rugged landscape of the Barossa Ranges. The geometrical shapes that are clearly seen appeared to have been influenced by geometric patterns that abound in the Barossa vineyards. The signed and numbered work comes with a Certificate of Authenticity.
Mixed Media:giclee on Paper
Artist Produced Limited Edition of:20
Size:33 W x 24 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
ARTIST BACKGROUND Robert Bader was born in Sydney, Australia in 1961. His father was a musician and his mother was a photographic artist. The family tradition of art extends to an uncle and cousin who worked as commercial artists while two relatives from the 18th century were ceramic artists working in Bavaria. His mother's uncle, Herbert Bayer worked at the German Bauhaus. Robert's work can be found in private collections in Germany, Scotland, USA, New Caladonia and throughout Australia. THE ARTIST Bader tends to work within the mediums of painting, screen printing and digital collage. His work has its basis in Minimalism, Constructivism and the theories of Bauhaus dogma. Works from the 1980's and 1990's revolve around the pure essence of colour and structure. Progressively, his works have begun to analyze issues of consumerism and barcodes which is reflected in the artists absolute hatred of credit cards. Since 2002 his canvases have become powerful and more painterly, reflecting issues of the environment and sacred mythology. This also reveals why the artist gave up a Sydney studio for a studio amongst vineyards and olive groves.
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