VIEW IN MY ROOM
Ecuador
Installation, Textile on Soft (Yarn, Cotton, Fabric)
Size: 24 W x 60 H x 24 D in
A conceptual piece meant to be worn for a performance at a funeral. This felt dress has a detachable apron that is 12 feet long; twice the "six feet under" a coffin needs. The apron has hard felt sculptural elements hand sewn into it (three dimensional crows as well as parting words). The apron would be wrapped around the coffin and left to be buried with the deceased.
Original Created:2010
Subjects:Fashion
Materials:Soft (Yarn, Cotton, Fabric)Plastic
Styles:Conceptual
Mediums:TextileFabricLeatherManipulated
Installation:Textile on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:24 W x 60 H x 24 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Chryssafenia is a multi-local artist, curator and art historian who spends her time in Illinois, Greece and Ecuador. She works in 2D, 3D, collage, installation and performance,joining artist collectivas with gusto and often collaborating with fashion designers, fiber artists, weavers, musicians and dancers. Her themes include cross-dressing, alchemy, performativity, shamanism, interstice, the body, disability studies, semiotics,border and Latino studies, as well as sacred stories. Her current work explores magical symbols, hierophanies, and how pain mitigates or intensifies these experiences. Ultimately, exploring and trying to find what inhabits the cusp. Another significant area of focus is on how fashion has been used in art to navigate, explore and explosively disrupt the status quo. Personal dramaturgy performed via sartorialism is examined as well. the role of curator, in the region of Mani in southern Greece,where a floating art exhibit Re:Think, an exhibit tackling consumerism, found art and illegal dumping in the region of Maratholaka.
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