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Born Drawing

Kriangkrai Kongkhanun

Thailand

Drawing, Pen and Ink on Other

Size: 31.5 W x 23.6 H x 0.1 D in

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About The Artwork

Born. Mixed Technique. 60 x 80 Cm. 2013 Artist : Kriangkrai Kongkhanun The “Undead” exhibition by Kriangkrai Kongkhanun, a Thai artist who studied at art schools in Thailand and Italy. It was in Europe where he absorbed western culture and immersed himself in their artistic traditions. Studying the Great masters in the halls of the eminent art museums, his art has been heavily influenced by his experiences. On returning to Thailand, Kriangkrai’s art has combined his knowledge of western art with his Buddhist upbringing. Subsequently, he has achieved fame as an emerging international artist with his work having been exhibited in 23 countries, mainly in America, Europe and Asia. In his latest exhibition, Kriangkrai’s drawings incorporate his iconic, organic figures which are in a constant struggle with unrelentingly sadistic demons. Emotionless eyes are ever-present, judging and condemning as the battle for autonomy and self-control persists. Contradictions permeate with delicately drawn wings giving a sense of flight while ghostly tears descend. The red petals, a glaring contrast against the black and white drawing, could be a sign of vitality blooming or the smear of blood as the life-force fades. Kriangkrai Kongkhanun was born in 1980 and graduated with a Masters degree from Silpakorn University. His major exhibitions in 2012 include the 5th Beijing International Art Biennale (BIAB), Beijing, China and “On The Threshold of The Senses”, Tally Beck Contemporary, New York, USA. In 2013 his work was shown in “Restless II” at the Cavin-Morris Gallery, New York, USA as well as “Global Art 2013”, Douro Museum, Portugal and “Among Strangers”, Gallery Jireh, Republic of Korea. Currently, he is collaborating with a Columbian artist for a project organized by the Ministry of Foreign Affairs of Colombia and he will participate in the 16th international Biennial of Engraving Sarcelles in France in November. Next year, he will have solo exhibitions in Monaco and France.

Details & Dimensions

Drawing:Pen and Ink on Other

Original:One-of-a-kind Artwork

Size:31.5 W x 23.6 H x 0.1 D in

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kongkhanun@gmail.com Kriangkrai Kongkhanun, who studied at art schools in Thailand as well as in Italy, visiting the most important art museums in the West on a trip to Europe, makes a daring attempt to forge a link between the Buddhist symbolism found in traditional pictures and the western imagery of the Renaissance and the 19th century. The Buddhist codex of ethics conditions his life philosophy and way of thinking. The point of departure for Kriangkrai's art is, however, the knowledge that negative human traits, such as anger, hatred and selfishness, namely evil properties, are so closely woven into human life that they always resurface from the subconscious. Kriangkrai's series of woodcuts "˜Touching of An Ignorance' of 2009 once again refers to the eternal desires that arise out of the subconscious and that mankind cannot resist despite his striving for good. From a correctly dressed individual in a suit and tie, they develop into a four-headed monster with countless eyes and faces, holding the mask of evil up to the winged chimera. In the series "˜Spiritual Disease' four related pictures in each case with different winged demons, insects with human heads, fantastic reptiles, carnivorous plants with snarling jaws and wondrous flowers and vegetation represent the scourge of the soul. The demons of the Underworld are not shown as realistically imaginable creatures but as the embodiment of evil. They are Hell on earth. http://kongkhanun.blogspot.com/

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