VIEW IN MY ROOM
Thailand
Painting, Oil on Canvas
Size: 23.6 W x 27.6 H x 1 D in
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couple in grey 4-3-23 is a thought-provoking and emotionally charged piece. It is a double-figure study on canvas in acrylics and oils that delves into various themes such as love, death, and sexuality. The painting captures scenes of passion and longing, seeking to analyze the intricate complexities of relationships. The muted palette used throughout the piece creates a subtle and subdued atmosphere, which is then contrasted by areas of vibrant color. This contrast adds depth and visual interest to the composition, drawing the viewer's attention to specific elements or emotions within the painting. The technique employed involves a fluid application of paint. This allows him to create a sense of movement and dynamism within the artwork. Additionally, He uses techniques such as staining and stripping back layers of paint to reveal glimpses of the raw canvas. By incorporating these techniques, he may be aiming to evoke a sense of vulnerability or rawness within the painting, The work is signed on the back of the canvas
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 27.6 H x 1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Thailand.
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Thailand
Thomas is an English painter based in Asia. His visceral works utilize the human figure/head juxtaposed with abstract mark making. This is achieved through the application of thick impasto paint, dragging and smudging the surface plus the occasional intervention of the "˜happy accident' or chance. All these elements contribute in the process of making or building a painting. This abstract quality is further emphasized by deliberate close cropping of his subject. The works also acknowledge certain aspects of the existentialist premise that one cannot fully know or experience the reality of another person, and that this separateness underlies our daily consciousness, hence the cropping and fragmented surface facilitates a way as to express this experience , as only a part of the subject is revealed. Although the works are representational and figurative they intend to suggest, rather than depict an accurate observation of his subject. This is more apparent as the viewer approaches the work, the painted surface dissolves into a seemingly unorganized arrangement of blotches and irregular textures.
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