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Painting: tempera, color on canvas The scenery of the Judean Desert is the starting point of this painting, the moments in which the day slowly ends and evening falls. The painting is ready for hanging, made with top-quality professional materials: tempera paints on Belgian lines. My painting and craft are based on and concentrated work. Work on each painting takes several months. The large dimensions of the canvas provide me with opportunity for extensive movement, somewhat like dancing. The tempera paints allow me to work with a range of brushes: oil paint brush and Chinese brushes. Despite my painting style that involves brush strokes and dismantling the strokes into a colorful mosaic Since I do not have the right to reproduce the view, I ignore the various scenic stipulations. I cancel the relation to light and shadow and attachment to image. These means enable me to reach an artistic method that creates existential identification for me. I live with the sense that I must paint and make my disposable artwork. The final product is an abstract painting based on the image of interiors of Israeli scenery. The painting is focused on molecular units like observing things through a microscope that generates a uniform, sensual and abstract weave. This weave is enriched with harmonic colorfulness that is almost scientifically calculated: dots, lines, bands and painted stripes, all woven into the painting canvass, ultimately creating a uniform work of art linked to reality by multiple sinews.
Painting: tempera, color on canvas The scenery of the Judean Desert is the starting point of this painting, the moments in which the day slowly ends and evening falls. The painting is ready for hanging, made with top-quality professional materials: tempera paints on Belgian lines. My painting and craft are based on and concentrated work. Work on each painting takes several months. The large dimensions of the canvas provide me with opportunity for extensive movement, somewhat like dancing. The tempera paints allow me to work with a range of brushes: oil paint brush and Chinese brushes. Despite my painting style that involves brush strokes and dismantling the strokes into a colorful mosaic Since I do not have the right to reproduce the view, I ignore the various scenic stipulations. I cancel the relation to light and shadow and attachment to image. These means enable me to reach an artistic method that creates existential identification for me. I live with the sense that I must paint and make my disposable artwork. The final product is an abstract painting based on the image of interiors of Israeli scenery. The painting is focused on molecular units like observing things through a microscope that generates a uniform, sensual and abstract weave. This weave is enriched with harmonic colorfulness that is almost scientifically calculated: dots, lines, bands and painted stripes, all woven into the painting canvass, ultimately creating a uniform work of art linked to reality by multiple sinews.
Painting: tempera, color on canvas The scenery of the Judean Desert is the starting point of this painting, the moments in which the day slowly ends and evening falls. The painting is ready for hanging, made with top-quality professional materials: tempera paints on Belgian lines. My painting and craft are based on and concentrated work. Work on each painting takes several months. The large dimensions of the canvas provide me with opportunity for extensive movement, somewhat like dancing. The tempera paints allow me to work with a range of brushes: oil paint brush and Chinese brushes. Despite my painting style that involves brush strokes and dismantling the strokes into a colorful mosaic Since I do not have the right to reproduce the view, I ignore the various scenic stipulations. I cancel the relation to light and shadow and attachment to image. These means enable me to reach an artistic method that creates existential identification for me. I live with the sense that I must paint and make my disposable artwork. The final product is an abstract painting based on the image of interiors of Israeli scenery. The painting is focused on molecular units like observing things through a microscope that generates a uniform, sensual and abstract weave. This weave is enriched with harmonic colorfulness that is almost scientifically calculated: dots, lines, bands and painted stripes, all woven into the painting canvass, ultimately creating a uniform work of art linked to reality by multiple sinews.
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Desert 2019 Painting

Zohar Cohen

Israel

Painting, Paint on Canvas

Size: 99.2 W x 64.7 H x 1.4 D in

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About The Artwork

Painting: tempera, color on canvas The scenery of the Judean Desert is the starting point of this painting, the moments in which the day slowly ends and evening falls. The painting is ready for hanging, made with top-quality professional materials: tempera paints on Belgian lines. My painting and craft are based on and concentrated work. Work on each painting takes several months. The large dimensions of the canvas provide me with opportunity for extensive movement, somewhat like dancing. The tempera paints allow me to work with a range of brushes: oil paint brush and Chinese brushes. Despite my painting style that involves brush strokes and dismantling the strokes into a colorful mosaic Since I do not have the right to reproduce the view, I ignore the various scenic stipulations. I cancel the relation to light and shadow and attachment to image. These means enable me to reach an artistic method that creates existential identification for me. I live with the sense that I must paint and make my disposable artwork. The final product is an abstract painting based on the image of interiors of Israeli scenery. The painting is focused on molecular units like observing things through a microscope that generates a uniform, sensual and abstract weave. This weave is enriched with harmonic colorfulness that is almost scientifically calculated: dots, lines, bands and painted stripes, all woven into the painting canvass, ultimately creating a uniform work of art linked to reality by multiple sinews.

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Painting:Paint on Canvas

Original:One-of-a-kind Artwork

Size:99.2 W x 64.7 H x 1.4 D in

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### About the Artist: Zohar Cohen **Born:** 1969 **Profession:** Painter **Artistic Style:** Zohar Cohen creates large canvases filled with color, characterized by a unique color vibration between strokes. Using small, dense strokes, he layers colors to evoke light and mood. His work often hints at its sources through the titles of the pieces, such as the Kigali series, inspired by his time in Rwanda. **Creative Process:** Zohar begins with a pictorial idea tied to a specific geographical location, observing lines and spots that emerge directly on the canvas. While the main idea is maintained in the studio, there is a deliberate process of disconnecting from the original place, leading to the creation of something entirely new through destruction and neutralization. **Viewer Experience:** Viewers can engage with Zohar's paintings in two distinct ways: 1. Focusing on the molecular units, like observing through a microscope, to see items forming a uniform, sensual, and abstract fabric. 2. Observing from afar to experience the overall struggle and harmony within the piece. Zohar's use of harmonious coloring is meticulously calculated, weaving dots, lines, and painted stripes into a cohesive and deeply connected work of art. Over the years, Zohar has developed a series of interior paintings featuring a figure within a room. These works serve as focal points, with ripples of color bursting from outside, disrupting the interior tranquility of the painting.

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