VIEW IN MY ROOM
Canada
Photography, Digital on Paper
Size: 97.4 W x 50.3 H x 0.2 D in
Ships in a Tube
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Like Van Gogh trudging along his paints to a field, or Monet painting the Rouen Cathedral with multiple canvases to capture the light, I go out every morning at dawn to capture the light on my mountain. The photographic style is called "rogue pano" as taking panoramic photos on my cellphone and battling with the pano algorithm to get the desired effects. These unique images are 100% in camera. No filters, no aftereffects, illustrator and no photoshop. It's rare to see a soul in the photographer's journey, this photo on Valentine's Day morning included a chance spotting.
Photography:Digital on Paper
Original:One-of-a-kind Artwork
Size:97.4 W x 50.3 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
An outsider's outsider, Schnaiberg's first art teacher was his grandfather, who studied with Arthur Lismer then built an Art Brut collage 'salon' for over 20 years... After seventeen semesters in art-school [kicked out of some, quit some] Lee finally received a BFA. Spent a decade VJing (Orbital, Aphex Twin, Tsuyoshi Suzuki, the live AV band Technopest and GodSpeed You! Black Emperor) and making experimental documentaries about climate-change solutions, which led into a decade and a half making eco-capital sculptures using capital as the primary medium. Since 2012 Lee has returned to the picture-plane both with his TSIB The Space In Between multimedia series, and his new abstract-expressionist and post-impressionist cellphone paintings. Lee has won awards for his paintings (Laureat du Quebec; CollegeArt '86), videos (Canadian Student Film Festival), and climate movies (EarthVision'98 in Santa Cruz). The Space In Between has recently been written about (published in Springer Nature 2020) in "Tripping on nothing: placebo psychedelics and contextual factors" where they imply his paintings make people as high as if they ate mushrooms.
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