VIEW IN MY ROOM
India
Mixed Media, Acrylic on Canvas
Size: 29 W x 44 H x 2 D in
Ships in a Tube
Shipping included
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The term "evanescent" conjures images of fleeting moments, transient beauty, and ephemeral experiences. Rooted in the Latin word "evanescere," meaning "to vanish," evanescent captures the essence of life's impermanence and the delicate nature of existence. This concept has fascinated poets, artists, and philosophers throughout history, inspiring reflections on the passage of time and the fragility of human existence. Life is filled with moments that are here one instant and gone the next, like a breath of wind or a flicker of sunlight. These evanescent moments often hold a profound beauty precisely because of their transience. Whether it's the fleeting colors of a sunset, the brief encounter with a stranger that leaves a lasting impression, or the ephemeral joy of a shared laugh, these moments remind us to cherish the present and appreciate the beauty that surrounds us. Memory itself is often evanescent, with moments from our past fading and morphing over time. While some memories remain vivid and enduring, others become hazy and indistinct, reflecting the transient nature of our experiences. Despite this, memories play a crucial role in shaping our identities and connecting us to our past, reminding us of who we are and where we come from.
Mixed Media:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:29 W x 44 H x 2 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:India.
Customs:Shipments from India may experience delays due to country's regulations for exporting valuable artworks.
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Peaush Panesar, aka The Mischiffers is a multi-disciplinary, mission-driven artist creating mixed-medium, resin, and abstract artworks amongst others. Coming from an affluent industrialist family, he was raised with affection and privilege. However, his innate sensitivity made him profoundly aware of his surroundings and the young boy would often ponder over that which he saw or heard. Following the completion of his school education in a hostel, he moved on to study Management – all set to join the conglomerate set up by his ancestors before him. But individuals of a creative and sensitive nature cannot be confined to the walls of an office, nor are they fond of delving deep into the deliberations of fiscal reports in a boardroom. In 2013, after much introspection, he ditched the suit-and-tie to pick up a camera — the tool of his first hobby and the rest as it has been said, is history. Initially, The Mischiffers shadowed one of India’s most renowned photojournalists and creative photographers to soak up knowledge by observing a master going at his craft. Intrinsically, he has always found himself being attracted towards fine arts, which also became a factor in helping him charter a path towards his present self. Clarity began to swiftly set in, leading to the realization that an amalgamation of observation through art ought to be his identity. Opportunity came knocking early as The Mischiffers exhibited at the Gallery at the Gaiety Theatre (attached with the Lalit Kala Akademi), immediately followed by an exhibition with Alliance Française in Chandigarh. Simultaneously The Mischiffers began to moonlight as a commercial and an editorial photographer working with publications and corporate clients. However, the creative child in him craved to be satiated and despite all the havoc it wreaked, the Covid-19 crisis arrived disguised as a blessing. Weeks of lockdown-induced cabin fever led to experimentation, introspection and most importantly an awakening. The rediscovering of his affinity towards observation through art came after 7 years. Thus, began a journey to clear up and breathe life into an obscure vision existing only within the deep trenches of the mind of The Mischiffers. There was clarity, even though it presented its own set of ambiguities: it ought to have meaning, and absolutely needs to reflect as a mirror on not just society but perhaps even the world.
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