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untitled (black) Print

Zalo Kappa

Spain

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About The Artwork

Medieval and Renaissance art made use of a number of emblems to symbolize death and mortality. Although a central theme of Christianity for hundreds of years the was triumph over death, the onset of the black plague altered public perception, and the emphasis was placed on the triumph of death over life and the necessity of repentance. Symbols of resurrection common in Christian art became less popular as reminders of the impermanence of life and the punishments of hell became ubiquitous.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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In an age of technological innovation, when the competitive flux of production has taken the place of the physical expression of one's inner universe and imaginary, and after it's obituary has been declared innumerous times over the last 150 years, painting presents itself as an act of resistance. A melancholic resistance that mirrors several times and spaces, between past and present, yet mostly, the extent of an utopian time and space: the inner time and space of its author. What room is there in the world for mystery? What language is there for a logic and wisdom that is not binary? Can we go beyond the argument? What other relationship can you have with the world besides dominance? Listening to the truth of being is the silent response to a being's calling. This silent response is found in painting.

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