VIEW IN MY ROOM
Canada
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Fine Art Paper
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10 x 10 in ($100)
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White ($80)
Before I realized my original drawings were not flat, I thought my greatest challenge was to figure out how to merge the two genders: ‘flats’ and ‘sharps’. Then I discovered a way to arrange the polygons so they could both share an apex and each have a parallel side. It was a matter, in effect, of rotating them. There are numerous stages of rotation. In this case the circle ends opposite, or on top of, the triangle. It forms part of 3c Z-Axis Rotation of Progressive Polygons - Five Variables. A transparent version of this image is symmetrical. In this case though, opaque polygons are placed on top of one another. On the left the triangle is on top; on the right the triangle is on the bottom. I exploited the thickness of the lines. It allows the stacking of the polygons on the right-hand side to appear coming out from under a black circle (which would be on top) - but the black circle is actually on the bottom coming from the left. Yes, that’s a contradiction. But this is an illusion (a deception) permitted only by what could be considered an encumbrance: line thickness. As well as determining how many polygons we can actually view, line thickness allows the deception. The use of understated spectral color helps to underscore the importance of line.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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ANDREW JAMES SMITH was born in California and attended the California College of the Arts on full scholarship. He has been exhibited internationally from Germany to Brazil and Japan; and represented by the Isaacs Gallery, the Geraldine Davis Gallery, and Gallery Moos – all of Toronto. He has been the recipient of numerous awards and has taught at Massey College in the U. of T., The Banff Centre for the Arts, Cambridge Galleries and elsewhere. Articles about his work were featured in Maclean’s magazine, the Globe and Mail, Quill and Quire, as well as Fashion TV, among others. He currently resides in Cambridge, Ontario, and is self-represented.
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