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Brazil
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8 x 12 in ($40)
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White ($80)
- FINE ART PRINTINGS - Canvas: Canson Museum Pro Canvas 385 gsm 100% cotton - Printed: HP Z9+ DreamColor mineral pigment - Made in Brazil Waterfowl spend little time in dry places, and spend most of their lives in wet areas. The semi-dependent ones are those that manage to spend a lot of time in dry areas, but their beak, feet and legs morphological characteristics are the result of a long process of adaptation to humid areas. The places called wetlands are aquatic ecosystems covered by fresh water with high primary productivity, such as lakes, mangroves and swamps, which, associated with environmental complexity, contribute to the feeding, nesting and resting activities of waterfowl. They are among the most threatened ecosystems in the world, as they suffer from the action of pesticides, chemical products and effluents from industries and human communities that are discarded in these places, being considered priority areas for the conservation of biodiversity. * Prints on paper: contact directly by email. (Premium Paper Hahnemuhle RAG 308 100% cotton)
Print:Giclee on Photo Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Brazil
The commonplace is usually left aside, it is not given due attention. Sounds are ignored, smells are sometimes unpleasant and uncomfortable, and are therefore also ignored. The songs are heard without understanding the poetry or feeling the beat. Thoughts speed up and the days, the minutes, the steps vanish into thin air. The meaning of the routes is lost. The sounds can be deafening, the senses are always heightened, conversations and human contact are latent. The space is covered step by step, often avoiding obstacles, people on the way. Walking blindly is denying what is latent, not realizing that the space is occupied and lives beyond. These are the steps, paths and lives of hundreds of people, including the one who writes these lines. To claim this space, I propose to tell the story of the place that has meaning for them and occupy these spaces, recording them in the time of a photograph.
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