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United Kingdom
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10 x 10 in ($100)
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White ($80)
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A Magnetic Field is part of a series of seascapes, examining the tension between space and object(s). I am fascinated how objects sit within a frame, and how we allow other elements of the image, to sit correctly and therefore allow you to explore the space in a more dynamic way. The work explores how certain objects sit in a space, and in that framework it allows you to wonder why and how a random series of elements can tie in together to form a new perspective. This image is intended to have a meditative effect on the viewer. It's stillness can be addictive! All my prints are printed on archival paper, and has a 100 year no fade guarantee. Hand signed and numbered. I also have open edition prints on sale.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
I am currently a fine artist, Happily Living and working in the wonderful City Of Bristol. U.K I have sold work all over the world including: USA, Europe, and Australia. My method allows a process of using my own scanned images of earlier prepared paintings, Found, and Digital Photographs. This process can take a long time, as I spend much of the preparatory sessions, planning (the) exact positioning of objects, in relation to colour and weight. This can lead to prolonged bouts of going a bit bonkers (sound familiar?).. Patiently moving an object a few Millimeter's here .. then a few Millimeter's there, as I descend into a Black"Art" Hole, then Five hours later moving it back! or just abandoning it... muttering "Why do i do this, every time..?" ..Oh Well. I have a lot of Ideas that never, ever, make the grade. My "Art ideas" Folder is, err, FULL. (For now). A lot of the image structures that I use are a result from my walks in Bristol, Dartford, Thamesmead, Avonmouth,Essex, etc. A certain Patina on concrete may take my eye, or I will obsess over an angle I find on a building, or light bouncing off a smokey mirrored, glass fronted, Monolith. (I kid you not). Once I am hooked on an aspect of an image I can then find a new idea I can use as a single image or be used in repeat. These (repeat) Motifs appear a lot, mirroring certainty, and a familiar Visual language, "smudged in" our day to day lives. Colours, textures and the anchor point usually come from old canvas works , drawings and sketches. Or I will be painting on paper, card and walls. I love Process, and it is very important that I have this analogue element of card, paper and paint to breathe some ghosts into the digital medium. " These works question the ideas relating to perceived memory and how, now that we all live and work surrounded by technology, we act as a viewers and memory builders. Does technology alter our traditionally ‘romantic’ view of time and history? Are our memories now paused like a stuck video frame rather than a vague image?" Sky Blue Grey - 2011. With over 20 years Photoshop experience, I am still learning. Some pieces take up to 3 weeks to to do ( Like My Earlier Thamesmead works). Of course some happen more quickly, but I spend AT LEAST 12 - 13 hours on a piece, though the average is 30 hours.
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