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dragonfly Sculpture

Aleksandr Razin

Sculpture, Textile on Other

Size: 0.4 W x 0.4 H x 1 D in

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About The Artwork

Hanging Garden: A Site-Specific Installation As with all of my site-specific installations, the creative process started as soon as I saw the exterior of this old abandoned factory in Paterson, New Jersey. Looking at the boarded up windows, eclectic architectural style and tall wooden tower, I felt as if I was being watched. Suddenly the strangeness of this site brought to mind the image of a giant insect in a state of deep sleep awaiting the first rays of sunlight. Once inside, I first noticed the soft light squeezing in through the broken windows of the second floor. It spilled onto the concrete flats and then fell in to the lower abyss projecting an image similar to a waterfall. Then there was the strict placement of wooden beams that divided the space into geometric, square-like shapes. Plastic covered the windows of the first floor, and the rest of the space was inhabited by discarded metallic pieces and plants which miraculously grew through the concrete. Standing in this environment surrounded by shadows formed from light streaming through broken glass, hearing only the sound of water dripping from above, I had the feeling of being inside a living organism. These initial responses lead to the creation of “Hanging Garden” –an installation composed of three large, insect constructions made primarily from found objects. The “Fly,” the Dragonfly,”, and the “Caterpillar” were placed on the second floor balcony, and each represented a hybrid between a living creature and a machine. In this space—once the home of a thriving business with human presence, but now in ruins— living plants shoot up from a man-made substance and the insect survives! The “Fly” construction (14 x 13 x 4 feet) begins on the second floor and is placed through a hole down to the first floor where its lower portion is projected behind a screen. It is made primarily of a metallic web, and a light shines behind the plastic screen to spotlight the hanging form. The second sculpture, “Dragonfly,” (25 x 14 x 20 feet) is comprised of both traditional and contemporary found objects such as computer cards, metal pieces, an umbrella, a mirror, and a heater, and it serves as the centerpiece of the installation. The third insect, “Caterpillar,” is a 14 foot long tubular sculpture composed of synthetic plastic material. It includes a tail in the form of a flower arrangement made from toys and serves as a segue way between my installation and the rest of the factory space. In this installation, my goal was to transform a lost wonder of the world (akin to the Hanging Garden of Babylon) into an environment dominated by harmony where everyone has a chance of survival. Often referenced in mythology, the giant insects serve as a connection between the past and the present. As the ultimate survivors of the universe, they remind us that no matter what happens, somehow life goes on. Like the city in which it resides, this abandoned factory has now become a symbol of the power of renewal.

Details & Dimensions

Sculpture:Textile on Other

Original:One-of-a-kind Artwork

Size:0.4 W x 0.4 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Biography Aleksandr Razin was born in 1958 in Tashkent, Uzbekistan. He grew up in an art village and spent countless hours as a child in the studio of his grandfather, a noted illustrator. In 1976, Razin began attending the Art Academy of Tashkent, and he received an MFA degree from the Tashkent College of Fine Arts in 1982. At the beginning of Perestroika, when the iron curtain was lifted, prominent art dealers from England and Germany went to Russia and the former republics to look for new talent. Captivated by Razin's work, they immediately began to exhibit him in their galleries. Dr. Gerhard Bodenstein, of the Apex Gallery in Gottingen, Germany, placed Razin in the Uzbekistani avant-garde, among those painters who refused to conform to traditional art. According to Bodenstein, his works represent "a successful linking of Orient and Occident and prove something like an international language of fine art." In 1996, Razin and his family emigrated from Uzbekistan to the United States and settled in Long Island, New York. He began teaching at the Bridgeview Art School in New York City, and since 2004, he has been a member of the Silvermine Guild faculty in New Canaan, Connecticut. Razin's paintings, mixed media constructions, and installations have been exhibited in over 40 galleries and museums throughout the world, including the famous Cork Street Gallery in London. His works have been reviewed in numerous publications, and they are in private collections in Great Britain, Japan, Germamy, Belgium, Turkey, Russia, and United States.

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