VIEW IN MY ROOM
South Africa
Sculpture, Metal on Aluminium
Size: 4.7 W x 47.2 H x 2 D in
Ships in a Crate
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This mobile is similar to others in the series of 5- tiered suspended artworks. The palette is less saturated in tone , than previous works, but the delight of watching a mobile bouncing in the breeze never ceases. This is an editioned work, this one being 1/15, and the mobile comes fully assembled, with all hanging fixtures, and is ready to hang . It ships in a sturdy postal tube. Abstract ,coloful shapes dancing below the ceiling. Not far removed from gazing at shapes in drifting summer clouds. Marine grade 1.6mm stainless steel rod is used for the hanging rods, and the vanes are laqured 1.2mm alluminium. No rusting or tarnishing. The mobile , when expanded ocupies a volumetric space of 100cm x 100cm x 100cm.
Sculpture:Metal on Aluminium
Original:One-of-a-kind Artwork
Size:4.7 W x 47.2 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Africa.
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South Africa
Paul Stein was born in Johannesburg, South Africa in 1956 , and lives and works out of his studio in Cape Town. He works in the medium of metal and mixed media sculpture, and his works are in collections both in South Africa and abroad. I work primarily within the direct metal approach to sculpture, as opposed to the cast metal method. My raw materials are sheets of steel or aluminium which I shape towards the desired end. I am drawn towards simplicity in form and the idea of stating an idea with minimum fuss. I find inspiration in many things, but my prime area of interest at the moment is using the medium of sculpture to express human intent. I am also interested in the idea of fragmentation, of form, movement and implied movement in sculpture. How do you alter the static nature of sculpture, and make it come alive?
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