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" Swaying, in the field of reeds " is a steel sculpture created by Scott Wilkes which is somewhat of an introspective piece. Made by welding thousands of small steel rods together and then ground and sanded to create a smooth flowing form. She is mounted on a steel plate so she can freely stand alone. She is not for wall mount. She is sealed to protect her from the elements but I would not recommend her for outdoor placement. She stands 32" tall x 19" wide x 12" deep and weighs 39 lbs.

The meaning to me behind this piece was more of a concept based on some recent events in my life,,
 
 The Field of Reeds (sometimes called The Field of Offerings), known to the Egyptians as A'aru, was a mirror image of one's life on earth. The goal of all was to live a life that you would want to live again in the afterlife. The swaying, is the winds of change that come from many directions and could be as gentle as a breeze or as hard as a blistering gust which could uproot so many good intensions.
slight right angle
" Swaying, in the field of reeds " is a steel sculpture created by Scott Wilkes which is somewhat of an introspective piece. Made by welding thousands of small steel rods together and then ground and sanded to create a smooth flowing form. She is mounted on a steel plate so she can freely stand alone. She is not for wall mount. She is sealed to protect her from the elements but I would not recommend her for outdoor placement. She stands 32" tall x 19" wide x 12" deep and weighs 39 lbs.

The meaning to me behind this piece was more of a concept based on some recent events in my life,,
 
 The Field of Reeds (sometimes called The Field of Offerings), known to the Egyptians as A'aru, was a mirror image of one's life on earth. The goal of all was to live a life that you would want to live again in the afterlife. The swaying, is the winds of change that come from many directions and could be as gentle as a breeze or as hard as a blistering gust which could uproot so many good intensions.
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" Swaying, in the field of reeds " Sculpture

Scott Wilkes

United States

Sculpture, Steel on Steel

Size: 19 W x 32 H x 12 D in

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Originally listed for $3,900
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About The Artwork

" Swaying, in the field of reeds " is a steel sculpture created by Scott Wilkes which is somewhat of an introspective piece. Made by welding thousands of small steel rods together and then ground and sanded to create a smooth flowing form. She is mounted on a steel plate so she can freely stand alone. She is not for wall mount. She is sealed to protect her from the elements but I would not recommend her for outdoor placement. She stands 32" tall x 19" wide x 12" deep and weighs 39 lbs. The meaning to me behind this piece was more of a concept based on some recent events in my life,, The Field of Reeds (sometimes called The Field of Offerings), known to the Egyptians as A'aru, was a mirror image of one's life on earth. The goal of all was to live a life that you would want to live again in the afterlife. The swaying, is the winds of change that come from many directions and could be as gentle as a breeze or as hard as a blistering gust which could uproot so many good intensions.

Details & Dimensions

Sculpture:Steel on Steel

Original:One-of-a-kind Artwork

Size:19 W x 32 H x 12 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hello, my name is Scott Wilkes a.k.a Ironheart. I am not going to have a stuffy bio, I’m going to just tell it like it is. I reside in the wonderful City of austin Tx and although a transplant I have been here since 1988. I think My artistic nature started pretty early in life, even before I started school. I was known for taking my toys and taking a hammer to them and then taking the parts and gluing them back together in new forms. It didn’t please my parents but when I started in on the neighbor kids toys that came to an end. After that I was more fond of old cardboard boxes and styrofoam packing materials.. Some shears , some duct tape, elmers glue.. and I would make all sorts of things. But those don’t hold up well. Through the years I did all sorts of things and never really thought of as it was art but in retrospect I guess in a way it was all a learning process that lead to my Art. It wasn’t until high school that I took an actual art class from a wonderful teacher. I wish I could remember That teachers name. She was pivotal to my world and introduced me to DALI , ESCHER , H.R GIGER. Later I found OLIVIA, SORAYAMA , VARGAS , NAGEL . They are all major influences. There are many more but they are the ones who stand out the most. This will lead into my education as far as art.. I didn’t get more than a couple years of actual teaching ,,, but what I did get, I think was substantial. And I took it from there. It did take 20 more years .. But I’m ok with that. I made a career out of welding which in a way is an art form itself which takes many years to truly master. After 20 years of it is when I began to sculpt for I finally felt confident with the medium along with having a life change that flooded me with emotions that I had to express in some sort of constructive fashion. I truly enjoy taking a medium which in so many ways is usually considered cold, hard, rigid and rough and making something which conveys softness, warmth, movement and flow. I also would like to say a special thank you to R.S.S and more specifically to Don White for the use of the hydraulic shear to cut all the pieces and his confidence in my artwork. He was the toughest boss I ever had, but helped shape me in to the man I am today... thanks Captain Cowboy !

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