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Women in Love (screened print version) Print - Limited Edition of 1

CAIN -

United Kingdom

Printmaking, Ink on Canvas

Size: 29.9 W x 40.2 H x 0.8 D in

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995 Views
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About The Artwork

About the work The painting is titled “Women in Love”, which is a modern interpretation of the characters from DH Lawerence book with the same title. 'Women in Love' is produced onto book pages from 1920s, and reflects one of the books themes about questioning modernisation and social norms. About Cain’s Work Cain creates beautiful and intriguing art imagery by painting carefully composed figures on vintage book pages. Any space between the figures exposes a background, which gives them context and narrative. The subjects are always turned away from the observer, seemingly engaged in the narrative, which remains magically elusive. As time continues to pass, the contemporary presence of the reader will age along with the older book pages. Interestingly, this aging will be observed by future viewers of the painting. Works production The screen print is produced on original book pages which are over 75 years of age and are mounted on cotton duck canvas using kiln dried quality wood stretchers. The stretchers use aluminium dowels to ensure the painting is rigid, allowing the work to be hung without the need for framing (if desired). Works are 24mm deep. Limited edition of 25 Stuart James Cain www.cainartist.com

Details & Dimensions

Printmaking:Ink on Canvas

Artist Produced Limited Edition of:1

Size:29.9 W x 40.2 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

CAIN -
CAIN -

United Kingdom

Cain creates beautiful and intriguing art imagery by painting carefully composed figures on vintage book pages. Any space between the figures exposes a background, which gives them context and narrative. Books only come alive when they are read. The passing of time and trends will shape a reader’s interpretation of a book. These are often reflected as annotations that a reader leaves behind. Instead of an annotation Cain interprets and paints a contemporary presence of the reader. Cain's art attempts to show compositions that radiate a sense of interaction between the narrative and the reader's image. The subjects are turned away from the observer, seemingly engaged in the narrative, which remains magically elusive. As time continues to pass, the contemporary presence of the reader will age along with the book. Interestingly, this ageing will be observed by future viewers of the painting. These works are hand painted in Indian ink onto pages from vintage editions of classic stories. The pages and subjects are carefully selected to bring relevance to Cain's work. The paintings are mounted on robust wooden stretchers and canvas ready to hang on delivery. Cain

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