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Ecce Che Print - Limited Edition of 23

Andrej Marjanovic

Macedonia

Printmaking, Screenprinting on Paper

Size: 26 W x 26 H x 0 D in

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$1,195

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About The Artwork

“Ecce Che” fuses two contemporary cultural icons: Korda’s photograph of Che Guevara “Guerrillero Heroico” (1960) and the art meme “Ecce Mono” (2012) with amateur Cecilia Giménez’s botched “Ecce Homo” fresco restoration. Individually and fused, they reveal the frightful reality of distorting great and complex humanistic ideals by inappropriate use of the images associated with them. One of the most prominent examples of the appropriation and usurpation of the humanistic revolutionary and counter-cultural ideas as commercial goods must be the use of the image of the leader of the Latino-American communist revolution Ernesto Che Guevara, which simultaneously celebrates and distorts his political idea for a revolutionary change. And the way amateur Giménez ruined the 100-year-old artistic inheritance—wholeheartedly believing that she is restoring her favorite fresco—bears the same meaning in relation to art, strangely coinciding with the subversive potential of “Ecce Homo” frescoes to face the crowds with their moral fall. Intentionally or not, in my Politickin’ cycle, I am dealing with contemporary culture themes that have political background or are a type of commentary on certain imposed political or quasi-political situations. I am interested in what is left of the visual symbols that used to represent big humanistic ideas after the human politicking psyche had appropriated and recreated them into something completely different. Similarly to the destiny of the visual language of graphic design in contemporary marketing, web-communication, and in our global market society in general. I find it interesting that people have always been inclined to this kind of deviation and usurpation of all great ideas and ideologies in line with their own mental capacity, needs, and goals, regardless whether the perpetrators are uneducated individuals devoid of political ambitions or influential international oligarchs with enormous political machinery to support their agenda.

Details & Dimensions

Printmaking:Screenprinting on Paper

Artist Produced Limited Edition of:23

Size:26 W x 26 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Multi-media artist, working both in traditional and contemporary fine art forms: printmaking, drawing, painting, sculpture, design, photography, video, animation, net & interactive art, graffiti art, and electronic music. Although first and foremost he considers himself a graphic artist, Andrej Marjanovic works a lot in both multimedia and in many classic arts techniques (painting, sculpture, and drawing). But it is less known that he was also a graffiti artist during the emerging Skopje graffiti culture of the 1990s, working under many pseudonyms (НДРЈ/NDRJ, ЧКЉ Кру/ CHKLJ Crew, Право гето/Real ghetto). Since about the same time, he was part of the birth of the Macedonian underground electronic music scene under various pseudonyms (NDRJ, Partybreaking Inc., Кисела куќа/Acid House), using sampling as his main constructive technique. From 2000 onwards, he works professionally in branding, graphic design, web design, photography, video production, audio production, and animation. With regard to technique, Andrej Marjanovic is always interested in experimentation, innovation, and intermediality. In his interartistic and intermedia fine art explorations, he is often inspired by music, comic books, street art, computer art, video art, video games, and film. Whatever the technique, medium, or application, his art stylistically gravitates toward the minimalist, symbolic, and abstract, always grounded on deeply deliberated concepts, a critical approach, autoreferentiality, and humor. He was born and raised in Skopje, but from 2014 he lives in the Prespa area.

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