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Systematic variation / ONE / pearlescent, in situ
Systematic variation / ONE / pearlescent, in situ
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Systematic variation / ONE / pearlescent - Limited Edition of 12 Photograph

Chuck Elliott

United Kingdom

Photography, C-type on Paper

Size: 28.3 W x 34.6 H x 2 D in

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$3,200

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217 Views
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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

SysVar is a C type photographic image, printed on Fuji metallic paper, and Diasec mounted between clear Plexiglass and DiBond. It’s fitted with an Opal 30 bespoke laser cut Perspex frame. .. Systematic variation / ONE encapsulates the first iteration of a new idea for processing the drawings, which sees them becoming more complex, more impure, more abstracted, more serendipitous. Perhaps with more haptic materials there’s some desire to keep the line tight, and work cleanly or deliver a polished final piece. With digital tools I increasingly find my interest lies in the exact opposite direction. Working on how to add randomness, avoid clinical symmetries, and explore new techniques to distort and modulate the line work in order to produce unexpected or surprising results, is something I’m keen to study further. As desktop computers have increased in power, so the ability to work on larger, denser files in close to real time has advanced, and as such it’s becoming possible to work on more complex studies while the paint is still wet, at least metaphorically speaking. SysVar ONE is one of a new set of drawings that takes full advantage of this new speed bump in the studio, and uses the opportunity to work into the geometry more intricately.

Details & Dimensions

Photography:C-type on Paper

Artist Produced Limited Edition of:12

Size:28.3 W x 34.6 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Chuck Elliott (b. 1967, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers, with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art print making for the digital age. Pure logical progression.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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