VIEW IN MY ROOM
France
Photography, Color on Paper
Size: 39.4 W x 16.5 H x 0 D in
Artist Recognition
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Praxis (Process) Juried Invitational On view October 7th through October 30th Participating Artists: Marijah Bac Cam, France Jane Carney, Chicago Elise P. Church, Brooklyn Zach Coneybeer, Columbus Charlotte Foust, North Carolina Amber Heaton, Brooklyn Jeffrey Hirst, Chicago Katie Kirk, Los Angeles James Austin Murray, New York City Keiko Nemeth, Chicago Jeremy Rabus, St. Louis Gabriel Gaffney Smith, Columbus Participating Jurors: Tyler Cann, Contemporary Curator, Columbus Museum of Art Terry Rodgers, Internationally exhibiting artist Patrick Sanderson, Executive Vice President of Stores, Victoria's Secret
Photography:Color on Paper
Original:One-of-a-kind Artwork
Size:39.4 W x 16.5 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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France
The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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