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Excavations (5), "This Is A Space Granted By Collapse" Photograph

Naomi White

United States

Photography, Color on Paper

Size: 26.2 W x 33 H x 2 D in

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About The Artwork

Excited by the idea that rocks hold truths in an age of disinformation, I began tearing and burning into my photographs of landscapes, layering them over and over until new spaces emerged. These fissures and cracks make room for connections between the earth and its inhabitants, between the past and future possibilities. When I began making this work, at the Jentel art residency in Wyoming, the Amazon rainforest, was intentionally set on fire to clear land for cattle. In the natural world fire drives a cycle of destruction and rebirth. Indigenous peoples mirrored this rhythm, as do sustainable farmers, nurturing ecological diversity and maintaining equilibrium by harnessing fire’s remarkable power to restart natural systems. Burned pages also reminds us of hate groups burning books in attempts to erase truths they don’t understand, and how the burning of fossil fuels is destroying all habitats and most people’s ways of life. There is a violence and unpredictability to fire, as there is to erasure. But fire can heal, and metaphorically has the power to burn down unjust frameworks. Fire can usher into existence new perspectives and approaches to modernity. Fire can provide hope in dark times. Rocks are alive. EXCAVATIONS explores the complicated role the camera plays in our violent, troubled past and present, and the way systems of oppression perpetuate the Anthropocene. Archival images from American magazines such as Life and National Geographic reveal entrenched ideologies about race, gender, and our relationship to nature, animals, and the planet. The omnipresence of danger, and the urgency to control (the narrative, the body, the earth, the animal) found in these pages, are pervasive and loud themes. Though we may feel surrounded by exclusion and oppression, it’s important to engage with the world we want to live in, to be compelled to act with a multiplicity of voices, and to seek out joy as both resistance and healing.

Details & Dimensions

Photography:Color on Paper

Original:One-of-a-kind Artwork

Size:26.2 W x 33 H x 2 D in

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Naomi White is a feminist, artist, and educator, working on ideas at the intersection of political ecology and photography. Focusing on the transformative power of photography to affect desire and change, much of her work questions how we can shift our focus away from the current racist, capitalist model of domination to one of equity and collective voice, for the sake of all people, animals and the planet. White is the winner of PDN’s Objects of Desire award, and a recent finalist for the Hopper Prize. She has attended several artist residencies, and exhibited throughout North America and Europe, including at the art fairs Scope, Art Basel Miami, and Photo LA. Her work has been published in PDN, The Brooklyn Rail, Cut Me Up Magazine, Uncertain States, among others. White holds an MFA in Photography and Related Media from SVA in New York, a Post Baccalaureate in Photography from the San Francisco Art institute, and a BA in English Literature from San Francisco State. She is currently the Chair of photography at the New York Film Academy in Burbank, California.

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