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You Should leave Now
Oil painting 30 x 30 (x 4 cm deep edge stretched linen)

An oil painting with loose painterly brush strokes and a textured surface. The overall blue tones give a cool atmosphere whilst highlighting the slightly warmer tones of her skin; her eyes appear to shine bringing her to life. She is open-mouthed, obviously in the process of saying something: ‘You should leave now’.
Current work examines emotion and perception through fictitious characters and de-contextualised dialogue. 
Although my image source is usually a photograph I am not trying to create a photo-realist work in any way but rather a re-interpretation of that photo as a painting. I am interested in exploring what happens to the image through the process of applying the paint.
You Should leave Now
Oil painting 30 x 30 (x 4 cm deep edge stretched linen)

An oil painting with loose painterly brush strokes and a textured surface. The overall blue tones give a cool atmosphere whilst highlighting the slightly warmer tones of her skin; her eyes appear to shine bringing her to life. She is open-mouthed, obviously in the process of saying something: ‘You should leave now’.
Current work examines emotion and perception through fictitious characters and de-contextualised dialogue. 
Although my image source is usually a photograph I am not trying to create a photo-realist work in any way but rather a re-interpretation of that photo as a painting. I am interested in exploring what happens to the image through the process of applying the paint.
details
You Should leave Now
Oil painting 30 x 30 (x 4 cm deep edge stretched linen)

An oil painting with loose painterly brush strokes and a textured surface. The overall blue tones give a cool atmosphere whilst highlighting the slightly warmer tones of her skin; her eyes appear to shine bringing her to life. She is open-mouthed, obviously in the process of saying something: ‘You should leave now’.
Current work examines emotion and perception through fictitious characters and de-contextualised dialogue. 
Although my image source is usually a photograph I am not trying to create a photo-realist work in any way but rather a re-interpretation of that photo as a painting. I am interested in exploring what happens to the image through the process of applying the paint.
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VIEW IN MY ROOM

You Should Leave Now Painting

Sal Jones

United Kingdom

Painting, Oil on Canvas

Size: 11.8 W x 11.8 H x 1.6 D in

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Originally listed for $760
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1824 Views
32

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About The Artwork

You Should leave Now Oil painting 30 x 30 (x 4 cm deep edge stretched linen) An oil painting with loose painterly brush strokes and a textured surface. The overall blue tones give a cool atmosphere whilst highlighting the slightly warmer tones of her skin; her eyes appear to shine bringing her to life. She is open-mouthed, obviously in the process of saying something: ‘You should leave now’. Current work examines emotion and perception through fictitious characters and de-contextualised dialogue. Although my image source is usually a photograph I am not trying to create a photo-realist work in any way but rather a re-interpretation of that photo as a painting. I am interested in exploring what happens to the image through the process of applying the paint.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:11.8 W x 11.8 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Working primarily with oil paint on canvas Sal’s fascination with painting focuses on our relationship with representation; particularly with regard to human expression and communication. Her emotionally charged paintings, portraying, primarily, fictional subjects, capture the action of expression out of context whilst transforming the stereotypical portrait. Using subjects that she has sourced from cinema, the media and her own photography she creates works that explore human reaction and empathy on a personal level. Her work investigates our love of the dramatic, focusing on scenes of questioning, love, betrayal, and power-play; along with titles originating from dialogue, they invite the viewer to share and empathise with this inner world of familiar strangers. The painted surface draws attention to the process of painting and to the artist’s choices in transforming the photographic source image. Sal has a BA Hons in Fine Art and a PGCE in Art & Design, she lives and works in London. Sal has over 20 years of experience working in the education sector teaching and undertaking art residencies and is currently a freelance Artist, Museum educator, tutor and exam board Assessment Associate. Sal has exhibited widely in London and the UK, and has had two solo shows in the last two years in Herts and London. Her work is held in private collections in the UK and internationally.

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