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Wind
Wind - detail
Wind - detail
Wind - detail
Wind - photographed in the cold blue winter light
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Wind Painting

Ian Muir

United Kingdom

Painting, Oil on Canvas

Size: 36 W x 48 H x 1.5 D in

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$12,750

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About The Artwork

This painting was inspired by the wind. It imagines what wind could look like if you could see it directly rather than observe the consequences of it blowing things around. It uses a restricted palette of light blues, white, greys and browns. The composition complements an interior design. The oil paint was applied using a palette knife and mixed on the canvas using broad sweeping gestures. These create the sense of motion, energy and flow. The lower part of the canvas contains stronger darker forms and colours, designed to evoke the power of the elements. Towards the top the colours are lighter, the forms smaller, more gentle. A light blue sky emerges towards the top. Some observers have said a storm at the bottom gives way to a calmer breeze at the top. Curiously, the impression changes with the light. In summer, the colours appear warmer, in the winter - when outside light is bluer, the appearance changes to be bluer and cooler. As the seasons change, the appearance is always slightly different. This work is unframed. It is varnished with high gloss Dammar varnish such that it reflects the light in fleeting ways. There is an unpainted border around the edges of the canvas. This creates its own "frame" without overtly containing the work.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 48 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm based in London, UK and paint both representational and abstract art. I take inspiration from modern masters and use only the highest quality hand made oil paints. My work is usually for private clients. An American art collector once said: "If I can understand a painting in thirty seconds, I'm not interested." I seek to address this idea, creating paintings that are a provocation for questions and discussion that "never reaches the bottom" - a phrase once attributed to Velasquez' "Las Meninas." Painting in oils on canvas enables my work to use both physical and optical colour mixing, three-dimensional surface textures and layering. I use brushes, pallet knives and pre-cut shapes to apply paint.

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