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'Waimea Canyon I' Painting
United States
Painting, Oil on Canvas
Size: 80 W x 60 H x 1.7 D in
Ships in a Crate
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About The Artwork
"Waimea Canyon I" is a large oil painted on four separate stretched canvas panels, each measuring 30"x40" for an overall image of 60"x80". The painting was completed recently in my studio with the use of preliminary on-site drawings and reference photos. The painting affords a collector several choices of display - four separate panels, two left panels and two right panels separately, or all four panels in one frame. It will be shipped with the panels framed separately as pictured in the primary photo unless otherwise specified along with authentication documents. The free wood frames, if requested, will be made in the same gallery style as I make for nearly all my own display. [The subject of 'Waimea Canyon I' is Waimea Canyon, also known as the Grand Canyon of the Pacific. It is approximately ten miles long and up to 3,000 feet deep, located on the western side of Kauaʻi in the Hawaiian island chain. Waimea is Hawaiian for "reddish water", a reference to the erosion of the canyon's red soil. The canyon was formed by the Waimea River, a result of the extreme rainfall on the island's central peak, Mount Waiʻaleʻale, among the wettest places on earth.]
Details & Dimensions
Multi-paneled Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:80 W x 60 H x 1.7 D in
Number of Panels:4
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Loren Dunlap’s innovative two-dimensional design program at John Herron Art Institute in Indianapolis was an early influence that persists today in my approach to painting. It gave me a unique foundation – a specific point of view. After two years at Herron, I received a scholarship from Tulane University’s Sophie Newcomb in New Orleans. The Abstract Expressionists were all the rage in ‘the art world’ then; DeKooning and that crowd. (One of the most celebrated, Helen Frankenthaler, while only briefly my instructor at Newcomb, absolutely changed my way of thinking about the making of art.) From Tulane, I was selected to work on the Owenite restoration Project in New Harmony, Indiana and was an adviser and instructor for the Blaffer Foundation Art Project that followed. I came to Hawaii by chance in the summer of nineteen seventy-eight and began a long-lasting affiliation with Lynn Shue and her Village Gallery Contemporary in Lahaina. I have been a resident of Maui ever since. [Since the summer of 2014 I have also been spending part of each year in Arizona and working out of my studio there.]
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