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My recent works, which are made of vinyl, use repetition through serigraphed imagery along with the practice of addition and reduction to transform individual elements and components into a whole, realized composition. The method is a meditation on the duality of space, the importance of distance and lack there of. This duality influences the relationship of the element to the whole, while also celebrating the fascination of transformation and the idea of new unities. 

For the last fifteen years industrial grade vinyl has been my medium of choice. I am drawn to its versatile nature and am still finding new methods of production and aesthetic values. 

Why do I produce art?

What can I tell you that hasn’t been said of art, the process of making art and its relevance in the world today? Well. I can tell you that I’m in it for the slow motion thrills and slow reveals - the accidents - the un-intentions. I’m in it for the details and the overview. I’m drawn to the untraditional mediums — the complicated, multifaceted processes; the ones that never go as planned. I’m in it for the planning. I’m in it for the lack of foresight only seen in hindsight. I’m inspired by trash. I’m searching for the note that is out of tune. I’m inspired by treasure and the pop masterpiece. I’m exited by the transition of value. I’m in it for the story and feeling I can’t convey in w-o-r-d-s. I’ve been running the rackets for nearly twenty years. I’ve been too impatient for a proper invitation and have taken things into my own hands — being both conceptor, producer and seller. And I’ve secretly enjoyed every minute of it. I still get giddy thinking of the promise…
My recent works, which are made of vinyl, use repetition through serigraphed imagery along with the practice of addition and reduction to transform individual elements and components into a whole, realized composition. The method is a meditation on the duality of space, the importance of distance and lack there of. This duality influences the relationship of the element to the whole, while also celebrating the fascination of transformation and the idea of new unities. 

For the last fifteen years industrial grade vinyl has been my medium of choice. I am drawn to its versatile nature and am still finding new methods of production and aesthetic values. 

Why do I produce art?

What can I tell you that hasn’t been said of art, the process of making art and its relevance in the world today? Well. I can tell you that I’m in it for the slow motion thrills and slow reveals - the accidents - the un-intentions. I’m in it for the details and the overview. I’m drawn to the untraditional mediums — the complicated, multifaceted processes; the ones that never go as planned. I’m in it for the planning. I’m in it for the lack of foresight only seen in hindsight. I’m inspired by trash. I’m searching for the note that is out of tune. I’m inspired by treasure and the pop masterpiece. I’m exited by the transition of value. I’m in it for the story and feeling I can’t convey in w-o-r-d-s. I’ve been running the rackets for nearly twenty years. I’ve been too impatient for a proper invitation and have taken things into my own hands — being both conceptor, producer and seller. And I’ve secretly enjoyed every minute of it. I still get giddy thinking of the promise…
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VIEW IN MY ROOM

TURN (Orange) Painting

Adreon Henry

United States

Painting, Acrylic on Other

Size: 30 W x 30 H x 1.5 D in

Ships in a Box

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SOLD
Originally listed for $1,970
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101 Views
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Artist Recognition

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About The Artwork

My recent works, which are made of vinyl, use repetition through serigraphed imagery along with the practice of addition and reduction to transform individual elements and components into a whole, realized composition. The method is a meditation on the duality of space, the importance of distance and lack there of. This duality influences the relationship of the element to the whole, while also celebrating the fascination of transformation and the idea of new unities. For the last fifteen years industrial grade vinyl has been my medium of choice. I am drawn to its versatile nature and am still finding new methods of production and aesthetic values. Why do I produce art? What can I tell you that hasn’t been said of art, the process of making art and its relevance in the world today? Well. I can tell you that I’m in it for the slow motion thrills and slow reveals - the accidents - the un-intentions. I’m in it for the details and the overview. I’m drawn to the untraditional mediums — the complicated, multifaceted processes; the ones that never go as planned. I’m in it for the planning. I’m in it for the lack of foresight only seen in hindsight. I’m inspired by trash. I’m searching for the note that is out of tune. I’m inspired by treasure and the pop masterpiece. I’m exited by the transition of value. I’m in it for the story and feeling I can’t convey in w-o-r-d-s. I’ve been running the rackets for nearly twenty years. I’ve been too impatient for a proper invitation and have taken things into my own hands — being both conceptor, producer and seller. And I’ve secretly enjoyed every minute of it. I still get giddy thinking of the promise…

Details & Dimensions

Painting:Acrylic on Other

Original:One-of-a-kind Artwork

Size:30 W x 30 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Adreon Henry has always been curious about how things are constructed and has always had a drive to create. From a very early age he developed a very specific style through repeatedly drawing imaginary friends; these friends still exist today (i.e.“The Pendletons”). As a youth, his dedication to art intensified and he sold candy and various oddities to his peers in order to purchase his first screen-printing machine. He quickly utilized this media to make t-shirts of his favorite bands and prints from his drawings. He saved every dime and while still in high school he opened a skateboard shop and started his own line of skateboards featuring his designs. As a young adult, Adreon formed a band “Single Frame” and in 2000 the band decided to move to Austin, TX to pursue musical endeavors; this is when Adreon decided to commit to his artistic practice. In the intervening years, Adreon explored his creativity and found success in both music and art. Today he continues his creative endeavors, often working with the themes of time, community, and perspective. Adreon’s use of a variety of screen printing and painting techniques on non-traditional mediums has allowed him to create a signature visual style, while his many years as a musician gives him a strong foundation to create magnificent sound-scapes and interactive installations. Adreon lives and creates in Austin Texas.

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