The mistress of all things possible Painting

This painting belongs to a collection called " Noves formes de respirar" “ ... and then she bought a kaleidoscope. The facts surrounding her life did not lack colour but her instinct pushed her to see beyond: she wanted the whole spectrum of colour, every day, at all times. She’d understood that the idea of perfectly shaped bodies was just a pipe-dream, an ideal, created at beauty labs financed by multiple interests. It was clear that those perfect body designs would never be capable of synthesising the entire range of light, the diverse and abundant light of people, exactly what she needed to hold on to now, at this point in her life, even if it was in an ephemeral way. And so her altered eye focused on femininity. She found that everything was expressed in the eyes of other women. Those windows to the world talked to her about feelings silently conveyed by groups of females united in joyfulness, by solitary amazons, by ballerinas that playfully leaped from world to world. Her eye also rested on the imperfection of forms, bodies often deformed, with limbs of unbalanced and grotesque dimensions. Those vehicles had gone out of control in many cases, victims of time and the force of gravity, but their custodians still dared to jump over the imaginary lines of the dictatorship imposed by their bodies. Their tenants found joy in the act of adorning their hair with a flower or wearing a hat that brought colour to the dullness of everyday life. As she saw it, they were a reflection of the tragic beauty of human condition, besieged by contradictory impulses and emotions, tender and cruel at the same time” Òscar Briz

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 1.4 D in

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