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THE RAID Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 40 W x 50 H x 1.5 D in

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About The Artwork

Rama: They'll come here. They'll tear this place to the ground. Andi: We'll be long gone before they get here. Rama: Then why do you stay? Andi: For the same reason you stayed in that uniform - it just fits. Jaka: [talking to his S.W.A.T. team] Okay, listen up. Our target is Tama Riyadi. I'm sure most of you know who I'm talking about. This man has become something of a legend in the underworld. Pushers, gangs, killers, they all respect him like a god. For the past 10 years his building has been a no-go zone for police. I don't care how big he is or who is behind him, he must be stopped. That enterprising fuck's been renting out rooms like it's an apartment, to any low-life piece of shit looking to keep his head down. Our mission is simple: we go in, and we take him out! Machete Gang #1: If I'm mad, I will enrage. Mad Dog: Pulling a trigger is like ordering takeout. Tama: Go to work and have fun. from ‘The Raid: Redemption’ (2011) Starring Iko Uwais (Stuber), Joe Taslim (Surat Kecil Untuk Tuhan), and Yayan Ruhian (John Wick: Chapter 3 - Parabellum). Written and Directed by Gareth Evans (The Raid 2). The Raid (Indonesian: Serbuan maut, lit. 'The Deadly Raid') is a 2011 Indonesian action-thriller written, directed and edited by Gareth Evans. The film stars Iko Uwais, who previously worked with Evans in another action film, Merantau, released in 2009. In the film, an elite squad is tasked to infiltrate a high-rise building – run by a ruthless drug lord – located in the slums of Jakarta; among them is Rama (played by Uwais), a rookie member of the team. After its world premiere at the Toronto International Film Festival (TIFF), The Raid received positive reviews from critics. The name of the film was changed to The Raid: Redemption in the United States as distributor Sony Pictures Classics could not secure the rights to the title; it also allowed Evans to plan out future titles in the series. The US release of the film features a film score composed by Mike Shinoda and Joseph Trapanese. It was released in the United States on DVD and Blu-ray Disc on 14 August 2012. A sequel, The Raid 2, was released in 2014. Both films showcase the traditional Indonesian martial art of Pencak Silat, with fight choreography led by Uwais and Yayan Ruhian. A third film was considered but Evans decided not to go forward with the project. Director Gareth Evans came across the idea for the film when he moved to Indonesia to film a documentary about the country's martial art Pencak Silat, as suggested by his wife of Indonesian Japanese descent. It was in that country that he met Iko Uwais, a Silat practitioner who was then working as a delivery man for a phone company based in Jakarta. Evans then nudged his wife to cast Uwais for Merantau, and then in The Raid. Following Merantau, Evans and his producers began work on a Silat film project called Berandal (Indonesian for Thugs), a large-scale prison gangster film intended to star not only Merantau actors Uwais and Yayan Ruhian but also an additional pair of international fight stars. A teaser trailer was shot, but the project proved more complex and time-consuming than anticipated. After a year and a half, Evans and the producers found themselves with insufficient funds to produce Berandal, so they changed the film to a simpler but different story with a smaller budget. They called the project Serbuan Maut (The Raid). Producer Ario Sagantoro considers the film to be lighter than Merantau. Evans also considers it to be "a lot more streamlined," stating that "Merantau is more of a drama" while The Raid is more of a "survival horror film." Evans wanted The Raid vastly different from Merantau in terms of pacing. With Merantau, some fans complained the action sequences took too long to appear since the first 45 minutes of the film laid emphasis on character development, backdrop (specifically, the Indonesian culture) and drama. Therefore, Evans designed The Raid to be a "full-on" action film. Pre-production took about four months, which include finalization of the script (which included translation of the original English-language script into Indonesian) and the work on choreography for the fighting sequences, which were designed by Iko Uwais and Yayan Ruhian. The actors that make up the key members of the police squad were sent to bootcamp military training with KOPASKA, where they learned how to use weapons, and how to perform strategic attack and defense techniques. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 50 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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