VIEW IN MY ROOM
TAG FÜR TAG Painting
Germany
Painting, Acrylic on Canvas
Size: 19.7 W x 39.4 H x 0 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
About The Artwork
Title: DAY BY DAY | Color spectrum: red, blue, yellow | Format: portrait format 100 x 50 x 2 cm | Material: Acrylic on canvas and stretcher in mixed technique | Medium format | Year 2004 | Work number: 972-761 / 01-04 | Ready to hang This exhibit is part of my portfolio from the 2004 vintage. It is created using my mixed technique, which consists of a combination of spatula work and pasty and very fluid application of basic colors. The intermediate tones result from the mixture on the basic structure. Since, as with all my work on canvas, I assemble and cover everything myself, the creative process starts with the priming of the canvas. My principle also applies here: the viewer finds true beauty in the detail, whereby the overall appearance of the exhibit is decisive. You can also see the documentary video on my YouTube channel - here is the link: https://youtu.be/MtPbkakdGM0
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 39.4 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
CREATING SOMETHING NEW. No more interpretation or reconstruction of our environment. Action painting or abstract expressionism is abstract painting in its basic form. Contrary to classical- realist painting my work is characterised by an "experimental reality", which we can neither to see, nor describe. Using the methods of construction and destruction, in which coincidence is mixed in, makes it possible for me to create a picture which is not predetermined. Painting becomes an analogy for the uncertain, the unknown and the incomprehensible. Good pictures are incomprehensible. Creating unintelligibility completely excludes producing any old nonsense because any old nonsense is always understandable as such.
Artist Recognition
Artist featured by Saatchi Art in a collection
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