view additional image 1
View in a Room ArtworkView in a Room Background
4277 Views
38

VIEW IN MY ROOM

Sold Climate Control. Japaneese Cherry Tree (Dyptich) Painting

Alina Maksimenko

Ukraine

Painting, Oil on Canvas

Size: 110.2 W x 74.8 H x 1.6 D in

Ships in a Crate

info-circle
SOLD
Originally listed for $23,000
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
4277 Views
38

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Climate Control. It’s work with space, with one’s inner space, when borders are inviolable and non-material. One’s own, personal climate, when a question of personification is an eternal question of one’s own (guarded) borders. Self-discovery – of one’s new differences and similarities, because every new day brings its new ego. “Climate control” is fatalism, getting the feel of one’s ego and surviving. It seems to me that lots of awfully important and necessary things are left behind “the pale of settlement”, maybe even the most important things. Marginal things and things that are not in demand. Because the Will and Right of a person to control are infinite. They are as strong, as unbearable is the awareness of one’s helplessness. I think that it’s instinctive – to save everywhere and every time one’s presence. And so, the person with a lantern is going on water, which in one moment has destroyed everything, and he is looking for truth, answers on his questions, his ego. That’s why in painting there’s such a restrained, boring even a manner of painting – without bright splashes. Control.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:110.2 W x 74.8 H x 1.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Painting comes in easy way — one trifle meets a trick, a Rube Goldberg machine starts a chain reaction, like a reaction on some vaccine, and it goes on and on. So I’m starting to realize that if I’ll change something once again, then I get a brand new work, for which, perhaps, I already have a new meaning and new canvas. This mechanism runs by my presence — a common story for all the artists. But still it all has a great meaning — the smell, the sound, the state, the color of the walls, the air — and when all this substances focus on me, the work emerges, lives, breathes. __________________________________________________________________ Obviously I see an impression itself as a fundament of all my works — an emotion, a feeling — light and color as a key elements of its translation, transmission, interpretation. So — long live art (its eyes my eyes) — the thing is about a child’s memory from an ancient times, this light-color addiction of me. ___________________________________________________________________ An arched-shaped bridge appears in front of my eyes — green waters flicker with unimaginable shades of shimmering reflections — material and non-existing forms obscure each other — overlap, grow, disappear, renew. Somewhere in the golden ratio’s zone, in the alluring prospect under the tiny arch, there is a renowned “starting point” — oh so many coats layered! — but it’s just another subject to be discussed. Discovering yourself for yourself is something absolutely fascinating — and I think it can be called simply a desire to be. __________________________________________________________________ This “Being” — a place on notional map existing primarily as a cultural situation, that, on it’s turn, consists of traditions, authorities, relevancies and compliances. This map means a feeling of your time and your part in it — let it be an imaginary part. Under certain circumstances this red dot — a place, a pin, a mark — it can really move the mountain. __________________________________________________________________ It's about "self dog philosophy" — I'm working on understanding of global concepts, such as Fidelity, Virtue, Eternity, Future etcetera, and on a reflection of this enormous "volumes” in dog’s eyes. Basically, any creature can take the place of this animal, but I confess — dogs find a special response in my soul. Alina Maksimenko from interview for newspaper “Vusokiy Zamok”, October 2012

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support