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SOLD - Christina and the Popes Painting

Kate Milsom

United Kingdom

Painting, Oil on Wood

Size: 20 W x 16 H x 1.5 D in

This artwork is not for sale.
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About The Artwork

Oil & mixed media on gesso board Christina, King of the Swedes, Goths and Vandals 1626 - 1689 (Reign: 1632 - 1654) Christina is celebrated as one of the most educated women of the 1600’s. Intelligent yet also strident and moody, she rejected the stereotypical behaviours expected from a female of her time and position. She outraged many by her extraordinary manners and habit of dressing in men’s clothing, and scandalised her court by first deciding not to marry and ultimately abdicating in 1654 in order to publicly worship as a Roman Catholic, at which point she moved to Rome. At the age of 28, the “Minerva of the North” having converted to Catholicism, relinquished her throne, and moved to Rome. The Pope described Christina as “a queen without a realm, a Christian without faith, and a woman without shame.” She became a leader of theatrical and musical life in Rome and protected many artists, composers, and musicians. She petitioned Pope Clement X to prohibit the custom of chasing Jews through the streets at carnival and issued a declaration that Roman Jews were under her protection. Being the guest of 4 consecutive Popes, and a symbol of the Counter Reformation, she is one of only 4 women buried in the Vatican grotto. Original works available at The Martin Tinney Gallery, Cardiff

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:20 W x 16 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I began producing elaborate mixed media pieces while on my long stay in Venice, making use of the city-floor ephemera of discarded museum leaflets and postcards. Incorporating ‘scraps’ of the past, sourced from secondhand books and magazines, and the maps I grew up with as the child of an intrepid Geophysicist, I produced a diary of sorts, the alternative reality of a history I invented for myself. I have since developed this way of working, often inspired by current events, creating ‘intricate scenes of social malfunction’, my investigations into ‘the human condition’ through a series of imagined portraits. I studied Fine Art at Oxford Brookes University, spending my final year at The School of the Art Institute of Chicago on an extended travel award. Graduating in 1992 I moved back to London, where for a time I slipped into the world of graphic design and illustration, working for Raymond Loewy International, and subsequently becoming Course Tutor at Lambeth College, and later a lecturer at Worcester University. By the late 1990s, emboldened to pursue my painting career by formidable gallery owner and art advocate the late Elizabeth Organ, a series of events shaped my subsequent work, beginning with the move from London to unfeasibly feudal Herefordshire, a turbulent marriage in a ‘Gormenghast’ of a castle, and a subsequent period of exile in Venice. My work has most recently been shown at the Royal West of England Academy, Bristol and the Mernier Gallery, London, with an increasing following of private European collectors from Southern France to Croatia. Represented by: The Martin Tinney Gallery Cardiff http://www.artwales.com/ Gala Fine Art, Bristol http://galafineart.uk

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