VIEW IN MY ROOM
United Kingdom
Painting, Oil on Wood
Size: 20 W x 16 H x 1.5 D in
Oil & mixed media on gesso board Christina, King of the Swedes, Goths and Vandals 1626 - 1689 (Reign: 1632 - 1654) Christina is celebrated as one of the most educated women of the 1600’s. Intelligent yet also strident and moody, she rejected the stereotypical behaviours expected from a female of her time and position. She outraged many by her extraordinary manners and habit of dressing in men’s clothing, and scandalised her court by first deciding not to marry and ultimately abdicating in 1654 in order to publicly worship as a Roman Catholic, at which point she moved to Rome. Ninon de Lenclos (1620 - 1705) was a French author, freethinker, and patron of the arts. She had a succession of notable and wealthy lovers including the Marquis de Villarceaux. On ending their affair he reportedly fell into such a fever that to console him Ninon cut off her hair and sent it to him, starting a vogue for bobbed hair. Her nonconformist views and lifestyle led to her imprisonment in the Madelonnettes Convent in 1656 at the behest of Anne of Austria. Not long after, however, she was visited by Christina, who was so impressed by both her beauty and mental capacity, that she wrote to Cardinal Mazarin and arranged for her release. Original works available at The Martin Tinney Gallery, Cardiff
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:20 W x 16 H x 1.5 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United Kingdom
I began producing elaborate mixed media pieces while on my long stay in Venice, making use of the city-floor ephemera of discarded museum leaflets and postcards. Incorporating ‘scraps’ of the past, sourced from secondhand books and magazines, and the maps I grew up with as the child of an intrepid Geophysicist, I produced a diary of sorts, the alternative reality of a history I invented for myself. I have since developed this way of working, often inspired by current events, creating ‘intricate scenes of social malfunction’, my investigations into ‘the human condition’ through a series of imagined portraits. I studied Fine Art at Oxford Brookes University, spending my final year at The School of the Art Institute of Chicago on an extended travel award. Graduating in 1992 I moved back to London, where for a time I slipped into the world of graphic design and illustration, working for Raymond Loewy International, and subsequently becoming Course Tutor at Lambeth College, and later a lecturer at Worcester University. By the late 1990s, emboldened to pursue my painting career by formidable gallery owner and art advocate the late Elizabeth Organ, a series of events shaped my subsequent work, beginning with the move from London to unfeasibly feudal Herefordshire, a turbulent marriage in a ‘Gormenghast’ of a castle, and a subsequent period of exile in Venice. My work has most recently been shown at the Royal West of England Academy, Bristol and the Mernier Gallery, London, with an increasing following of private European collectors from Southern France to Croatia. Represented by: The Martin Tinney Gallery Cardiff http://www.artwales.com/ Gala Fine Art, Bristol http://galafineart.uk
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