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Rearview with observer Painting

Floriano Guizzardi

Chile

Painting, Oil on Canvas

Size: 11.8 W x 11.8 H x 1.6 D in

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About The Artwork

A landscape - a man is walking on a beach -, inside a frame. In a corner, an abstract figure is turning to the opposite side of the landscape. Separation and distinction is a way of coexistence. My inspiration comes from a meditative mood and a great passion for the cinematographic image. The viewer should have some mixed feelings, and asking himself which is the real subject of the painting: the viewer inside, the viewer outside, or the landscape? Why these things are together? I use these kind of medium because the clarity of oil colours and the opacity of the acrylics creates an effect of depth. The general colours are in grey tones, to suggest the atmosphere of the great noir movies of the last century, a sort of parallel universe in which imagination seems to dominate.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:11.8 W x 11.8 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Floriano Guizzardi, I' m Italian but actually I live in Chile. I've traveled a lot in my life, working as a fencing coach. I had the chances to know the different cultures of south America and East Asia, such as Philippines and Japan, in which I could find some interest for my work. I started painting when i was really young, in the studio of an Italian abstract painter, Benito Tomezzoli, who actually didn't teach me anything, just let me play with colours and doing whatever i want. Later, when i was twenty years old, i frequented some other painters studios, in which i learned that there isn't a general way of painting, but just the way that fits with you. I' ve studied literature, cinema, frequented philosophy, did a lot of works for living. My painting starts from considerations about the cinematographic image, most of all from noir movies of '40, '50 years of the last century. I reproduce it, take it out from its contest and then try to see what can happen. I have a meditative attitude, so i don't really know how my paint will finish; there is a sort of conflict between the well composed image and the rest which comes out from scratching, erasing, deleting until something comes out which can be in relation with the image.

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