VIEW IN MY ROOM
Slovenia
Painting, Digital on Wood
Size: 118.1 W x 78.7 H x 2 D in
Ships in a Crate
The installation President Obama Watches the Execution of Osama bin Laden is composed of fragments of the famous media image hanging as separate, loosely connected symbols. These reveal the principles of new media (copy/ paste, icons and drop-down menus, windows, montage and postproduction, web page composition , tweeting, texting, clicking between TV channels with a remote). where wholes are composed of fragments. Users choose among prepared pieces of information , creating their own image of real ity. Because we use the same technologies and interfaces to communicate, our interactions also become increasingly less linear, with images occupying a central place. (Text from the catalog of the 30th Biennial of Graphic Arts Ljubljana)
Painting:Digital on Wood
Original:One-of-a-kind Artwork
Size:118.1 W x 78.7 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Slovenia.
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Slovenia
I use machines to create art, wondering if machines will one day understand my art. Computers, mobile phones and robots are strongly getting into our minds. We are more and more behaving like machines, while Intelligent devices are more and more behaving like humans. Once there might be no difference between the machine and the human at all. I examine different forms our technology based society takes, and the motives that lie behind it. I use the copy-paste culture, post-production and modularity as the common denominators of the digitized worlds. Altering them is a way of questioning the attitudes, fears, unwritten rules, opportunities and dangers which have formed that environment and our behavior within it. Aesthetics and ontology of my work are strongly related to my working process. I take icons, symbols and other entities from the mediated reality and combine them in algorhytmic ways. I strive to convey that sense of algorhytmic simplicity by capturing its algorhytmic language.
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