VIEW IN MY ROOM
United States
Painting, Oil on Canvas
Size: 36 W x 36 H x 1.4 D in
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I like the quirky body language of the common pear. When you see tumbled mounds of pears at the market, the freshest ones often have leaves aloft like flags. Pears are “body-like” without gender, age or race. Yet they curiously allude to layers of sentient meaning by their very postures and placements. Still life painters in every era have used tabletops adorned with food and other objects to represent meanings that go beyond the objects themselves. In the Pear Dance Series, I seek a relationship between image and viewer that is much like theater, except that the actors are all similar and the action goes on through the spectator’s own capacity and desire to make myriad visual associations.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:36 W x 36 H x 1.4 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Jeanne Dunn is a painter living in Los Angeles and working in Inglewood. Her large-scale, painterly works serve as a bellwether to the destruction of forest ecology as we know it, climate change, and the agency of trees. Her painted arboreal giants of the earth are sentinels, early warning systems, and ultimately, in their andromorphic depiction, lend a provocative look at how humans are intertwined with nature. Dunn’s work has been exhibited in the United States and Europe and is in private, corporate, and museum collections. She was included in several publications, including “The Artist Portrait Project: A Photographic Memoir of Portrait Sessions with San Diego Artists, 2006-2016,” by Jennifer G. Spencer (She Writes Press, 2018) and “Feminists Who Changed America,” by Barbara J. Love, ed. (University of Illinois Press, Urbana, and Chicago, 2006).
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