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Panta Rhei - Everything Flows - Back nude Painting

Susanne Haun

Germany

Painting, Acrylic on Canvas

Size: 27.6 W x 39.4 H x 0 D in

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19 Views
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About The Artwork

Climate change seems to be advancing incessantly. Early on, Susanne Haun's work deals with objects found in nature, which she attaches to canvases. This creates assemblages, 3-dimensional collages. The nude shown here turns away from the viewer, as if she wanted to avoid questions about the environment and the current situation. At her feet there are objects attached to the canvas, such as gauze, a broken sea urchin, and stones found in the sea. She is holding a thick hemp rope in her hand. Aesthetically, the finds fit perfectly into the wild wave pool. The canvas was shown in the Städtische Galerie Wollhalle on the occasion of the 12th exhibition with the subject of art and the environment and was nominated for the 9th Ecology Art Prize. The canvas is covered with raw fabric, cotton, Provence. The canvas was processed unprimed in order to emphasize the environment / nature character.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:27.6 W x 39.4 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work as an artist is like an additional sense organ for me. Until a complete statement desired by me emerges, I design and discard ideas in my head. Art is my language, my exchange with the environment, the way to make my ideas visible. As materials for my drawings I use ink and steel / drawing pens and brushes on handmade paper, canvas and glass. I work serially and project-based. I am interested in the passage of time, which I document in my blog (www.susannehaun.com), which I fill since March 2009 almost daily with words and images. For my large-format canvases, I use acrylic paints and oil crayons in addition to ink. Most often I present my up to 4 meters long and 2 meters wide canvases without stretcher as flags painted on both sides in the room, gladly the artworks may lie completely or partially on the floor. When I read, images arise in my head, which I convert into paintings. Smaller ink drawings I bundle in artist unique books. Nature inspires me: I immediately see the lines and surfaces when I look at them. In color charts I consider the coordination of color for my paintings. The contrast and ink applied with brush and pen on an acrylic background is one of my favorite pictorial elements. In my work I am as minimalist as necessary. For many artists, the creative process stops after the individual work is created. For me, the process continues when the art is assembled and presented. It is in the interaction with the audience that the art begins to live and work for me.

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