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Growing up as a son of a Coastguard , in Scotland, I became attached to Harbours growing up. Their silent vigil over the boats that come and go from it, the activity surrounding it and the way it symbolises a departure into a larger less benign space. With this painting I wanted the viewer to feel enveloped in the muffled quiet of the approaching mist, and to feel something of the stoic and watchful architecture. The painting marries charcoal and acrylic to create natural surfaces and a softening of the tones to create an analogue of the weathered cement that was used to create the structure.
Growing up as a son of a Coastguard , in Scotland, I became attached to Harbours growing up. Their silent vigil over the boats that come and go from it, the activity surrounding it and the way it symbolises a departure into a larger less benign space. With this painting I wanted the viewer to feel enveloped in the muffled quiet of the approaching mist, and to feel something of the stoic and watchful architecture. The painting marries charcoal and acrylic to create natural surfaces and a softening of the tones to create an analogue of the weathered cement that was used to create the structure.
Growing up as a son of a Coastguard , in Scotland, I became attached to Harbours growing up. Their silent vigil over the boats that come and go from it, the activity surrounding it and the way it symbolises a departure into a larger less benign space. With this painting I wanted the viewer to feel enveloped in the muffled quiet of the approaching mist, and to feel something of the stoic and watchful architecture. The painting marries charcoal and acrylic to create natural surfaces and a softening of the tones to create an analogue of the weathered cement that was used to create the structure.
Growing up as a son of a Coastguard , in Scotland, I became attached to Harbours growing up. Their silent vigil over the boats that come and go from it, the activity surrounding it and the way it symbolises a departure into a larger less benign space. With this painting I wanted the viewer to feel enveloped in the muffled quiet of the approaching mist, and to feel something of the stoic and watchful architecture. The painting marries charcoal and acrylic to create natural surfaces and a softening of the tones to create an analogue of the weathered cement that was used to create the structure.
Growing up as a son of a Coastguard , in Scotland, I became attached to Harbours growing up. Their silent vigil over the boats that come and go from it, the activity surrounding it and the way it symbolises a departure into a larger less benign space. With this painting I wanted the viewer to feel enveloped in the muffled quiet of the approaching mist, and to feel something of the stoic and watchful architecture. The painting marries charcoal and acrylic to create natural surfaces and a softening of the tones to create an analogue of the weathered cement that was used to create the structure.
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Daniel Martin Fairbairn

United Kingdom

Painting, Acrylic on Canvas

Size: 35.4 W x 23.6 H x 1.4 D in

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Originally listed for $870
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About The Artwork

Growing up as a son of a Coastguard , in Scotland, I became attached to Harbours growing up. Their silent vigil over the boats that come and go from it, the activity surrounding it and the way it symbolises a departure into a larger less benign space. With this painting I wanted the viewer to feel enveloped in the muffled quiet of the approaching mist, and to feel something of the stoic and watchful architecture. The painting marries charcoal and acrylic to create natural surfaces and a softening of the tones to create an analogue of the weathered cement that was used to create the structure.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:35.4 W x 23.6 H x 1.4 D in

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I grew up around the coast lines of England and Scotland, and spent 18 years working offshore. When this career came to an end I returned to paintiing and drew upon my experiences in my landscape. I work to convey my emotions to the viewer, allowing them to feel the portrayed landscape as I did.

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