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My pictures are rooted in the real world, but they are by no means illustrations or portraits in the conventional sense, but rather symbolic images. A starting point for the work is often my personal memories and experiences as well as considerations of reality, but also photographs that I find in newspapers and magazines. These serve as templates for drawings and paintings. I interpret the photographically accurate representation in subjective painting. In my pictures I try to combine the visual and the conceptual. For me, painting is a medium of knowledge that, in addition to direct expression, makes material and immaterial forces visible, plastic processes in the broadest sense.
My pictures are rooted in the real world, but they are by no means illustrations or portraits in the conventional sense, but rather symbolic images. A starting point for the work is often my personal memories and experiences as well as considerations of reality, but also photographs that I find in newspapers and magazines. These serve as templates for drawings and paintings. I interpret the photographically accurate representation in subjective painting. In my pictures I try to combine the visual and the conceptual. For me, painting is a medium of knowledge that, in addition to direct expression, makes material and immaterial forces visible, plastic processes in the broadest sense.
My pictures are rooted in the real world, but they are by no means illustrations or portraits in the conventional sense, but rather symbolic images. A starting point for the work is often my personal memories and experiences as well as considerations of reality, but also photographs that I find in newspapers and magazines. These serve as templates for drawings and paintings. I interpret the photographically accurate representation in subjective painting. In my pictures I try to combine the visual and the conceptual. For me, painting is a medium of knowledge that, in addition to direct expression, makes material and immaterial forces visible, plastic processes in the broadest sense.
My pictures are rooted in the real world, but they are by no means illustrations or portraits in the conventional sense, but rather symbolic images. A starting point for the work is often my personal memories and experiences as well as considerations of reality, but also photographs that I find in newspapers and magazines. These serve as templates for drawings and paintings. I interpret the photographically accurate representation in subjective painting. In my pictures I try to combine the visual and the conceptual. For me, painting is a medium of knowledge that, in addition to direct expression, makes material and immaterial forces visible, plastic processes in the broadest sense.
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VIEW IN MY ROOM

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Naked on the couch Painting

Barbara Kroll

Germany

Painting, Acrylic on Canvas

Size: 27.6 W x 19.7 H x 1.6 D in

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Originally listed for $990
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86 Views
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About The Artwork

My pictures are rooted in the real world, but they are by no means illustrations or portraits in the conventional sense, but rather symbolic images. A starting point for the work is often my personal memories and experiences as well as considerations of reality, but also photographs that I find in newspapers and magazines. These serve as templates for drawings and paintings. I interpret the photographically accurate representation in subjective painting. In my pictures I try to combine the visual and the conceptual. For me, painting is a medium of knowledge that, in addition to direct expression, makes material and immaterial forces visible, plastic processes in the broadest sense.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:27.6 W x 19.7 H x 1.6 D in

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The theme depends on the situation. I am especially interested in unusual combinations of objects, funny motifs, and interesting colors.

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