VIEW IN MY ROOM
South Korea
Painting, Acrylic on Paper
Size: 40 W x 47 H x 0.1 D in
Ships in a Tube
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In post-modern times where artists do not want to limit their style to a single authoritative style, Urmi chooses semi-abstract expressionism to embody his expressiveness, or one might say, his expressiveness is more spontaneous - where the brush strokes and the application of colors reveal the artist's artistry. A kind of energy can be found by combining colors in the picture. Unambiguous self-centeredness, self-emancipation, lust, anger, repression, and sensuality—all of which take on an expressive form that helps the artist define himself, revealing the artist's physical involvement with each image, becoming vivid and universal when the viewer experiences these feelings in the image. If you can identify, then the picture gets the moksha of perfection. Urmi's statement about her film is very clear. This ambivalence is characteristic of Urmi. Where the art world is indeterminate, where the material world is mystifying with hints of quantum potential, its clarity affects the image, resulting in a chaotic or unconventional painting style - sometimes sharp, sometimes matte - the contrast that creates a densely focused surface makes Urmi's image more subtle. Gives a uniqueness. Urmi's work will be linked as a new example of expressionist painting practice in Bangladesh.
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:40 W x 47 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Bangladesh.
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South Korea
Farzana Ahmed (2nd march 1980) is a Bangladeshi expressionist artist whose emotion-imbued portraiture is an exploration and exposition of the human condition through colour, form, and texture. Mostly, Ahmed works with acrylic on canvas but regularly experiments with vegetable dye, colored ink, and other mediums. She earned an MFA from the University of Dhaka, Bangladesh in 2010, and is currently based in Dhaka. Many of the themes Ahmed is exploring in her work currently are inspired by her work with the Rohingya women in the refugee camps of Cox’s Bazar where she was an artist-in-residence for the IOM Rohingya Cultural Memory Centre. In this role, Ahmed facilitated embroidery workshops for Rohingya women in which she guided the production of embroidery pieces exploring new subject matter and themes using a blend of traditional and innovative embroidery techniques. This experience, working with the Rohingya women and hearing their stories, deeply moved Ahmed; and her latest work is an exploration of their emotions as well as her own emotions following their interaction.
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