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Iridescent Colorblock Painting

karen clark

United States

Painting, Acrylic on Wood

Size: 34 W x 34 H x 1 D in

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SOLD
Originally listed for $900
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About The Artwork

The definition of iridescent; “varying in color when seen in different lights, having a play of lustrous rainbow-like colors.” The beauty of this piece is the many different ways it can hung and looked at, due to the iridescent paint and variety of colors. (See additional photos). Thin veils of brightly colored transparent paint cover nine wood squares. The paint is thick and textured. You can see the wood grain through the color. The squares have a border of iridescent metallic paint, then attached together as one piece. the sides are painted gold. The work can be framed or a hung as is. From Art Critic Shana Nys Dambrot, "Karen Clark avails herself of an eclectic set of mediums and materials, including but not limited to painting, drawing, digital collage, and printmaking. These she deploys in all possible combinations in the service of pictorially hybrid compositions in which she freely samples stylistic languages from gestural abstraction to the surreal, naturalistic, ultra-modern, and romantic --

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:34 W x 34 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Karen Clark is a contemporary artist based in Los Angeles. She uses oil, acrylic and collage in her quest to find magic in the ordinary. Her art has been commissioned by Louis Vuitton, the Bellagio Hotel, the Mandarin Oriental, the Virgin Hotel, Los Vegas, and an HBO series. She has sold to private collections in Sweden, France, the United Kingdom, Germany, Italy, Israel, the Netherlands, Japan, Singapore, the US and more. Her art has been featured on on Artsy, the Huffington Post, CNN, and CBS. From Art Critic Shana Nys Dambrot, "Karen Clark avails herself of an eclectic set of mediums and materials, including but not limited to painting, drawing, digital collage, and printmaking. These she deploys in all possible combinations in the service of pictorially hybrid compositions in which she freely samples stylistic languages from gestural abstraction to the surreal, naturalistic, ultra-modern, and romantic -- inventively choreographing this gamut of choices into layered juxtapositions that are at once eerie and poetic, strange and familiar.

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