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In a Kula Garden Painting
United States
Painting, Oil on Canvas
Size: 62 W x 40 H x 2 D in
Ships in a Crate
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About The Artwork
'In a Kula Garden' is painted in oils on three professional grade canvas panels mounted on heavy duty wood stretcher bars. The right and left panels each measure 40"x16" and the center panel measures 40"x30" for a total image size of 40"x62". The panels of this triptych feature an abstract expressionist style, using a blend of vibrant colors including shades of pink, green, orange, and hints of blue applied in a loose, spontaneous manner, creating an energetic and dynamic interaction. The brushwork is visible and fluid, emphasizing the rhythm of colors as they move across the canvas. The use of color and form does not represent any specific objects or figures, which is characteristic of abstract art. The three panels work together to create a cohesive visual experience, but each panel can also stand alone as an individual piece of art. The composition is balanced yet organic, inviting viewers to engage with the piece and interpret it according to their personal experiences and emotions. Framed and displayed as shown in the primary photo here, the overall measurement is 41"x 69". Unless you specify otherwise, 'In a Kula Garden' will be shipped in free frames originally made for my own display, as shown, with the certificate of authenticity enclosed.
Details & Dimensions
Multi-paneled Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:62 W x 40 H x 2 D in
Number of Panels:3
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Loren Dunlap’s innovative two-dimensional design program at John Herron Art Institute in Indianapolis was an early influence that persists today in my approach to painting. It gave me a unique foundation – a specific point of view. After two years at Herron, I received a scholarship from Tulane University’s Sophie Newcomb in New Orleans. The Abstract Expressionists were all the rage in ‘the art world’ then; DeKooning and that crowd. (One of the most celebrated, Helen Frankenthaler, while only briefly my instructor at Newcomb, absolutely changed my way of thinking about the making of art.) From Tulane, I was selected to work on the Owenite restoration Project in New Harmony, Indiana and was an adviser and instructor for the Blaffer Foundation Art Project that followed. I came to Hawaii by chance in the summer of nineteen seventy-eight and began a long-lasting affiliation with Lynn Shue and her Village Gallery Contemporary in Lahaina. I have been a resident of Maui ever since. [Since the summer of 2014 I have also been spending part of each year in Arizona and working out of my studio there.]
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